The Xen of Opera: The Treasures of the 2020 Adelaide Festival

(Credit: James Glossop) Opera is quivering, twisting, and turning. Could it be that we are in an opera renaissance? There is a new blood pulsing through its veins. Opera and {…}

Opera Meets Film: How the Murder’s Portrayal Alters the Emotional Impact of Both Versions of ‘Dead Man Walking’

(Credit Javier del Real / Gramercy {…}

Opera Meets Film: The Ambiguous Thematic Use of ‘La Traviata’ in Rainer Werner Fassbinder’s ‘The Bitter Tears of Petra von Kant’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Rainer Werner Fassbinder’s {…}

Artist Of The Week: Serena Farnocchia

(Credit: Monika Rittershaus) “Rossini’s Elisabetta Regina d’Inghilterra” is one of Rossini’s rarely performed works due to its level of difficulty. Yet {…}

Opera Meets Film: How the ‘Così Fan Tutte’ Moment in ‘The Greatest Showman’ Is Emblematic of Film’s Structure

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “The Greatest Showman.” {…}