This week the Rossini Opera Festival is set to open with a new production of one of the composer’s lesser-known works, “Bianca e Falliero.” The work has been presented at the festival before famously in 1986 and is considered very difficult to sing due to the intensity of its coloratura writing. The new production will include some very important Rossini {…}
(Photo credit: François Matarasso) When you think of opera, one imagines a beautifully finished product, usually disconnected from the labor involved in its creation. But what would happen if the labor to produce opera was just as foregrounded as the result of that labor? This question has been taken up in many forms over the last six to seven decades. {…}
The nature of cinematography and (classical) singing is long-winded. From some of the early experiments like the acclaimed 1927 film, “The Jazz Singer” by Warner Bros, to the emergence of new giants like Metro-Goldwyn-Mayers Studios (MGM) and their copious amount of opera-laced films like their 1935 film, “A Night at The Opera,” opera on film has had a long development. {…}
The aftermath of World War One was defined in Europe, quite remarkably, by multiple, simultaneous cultural advances and experiments. These revolutionary developments ranged from classical music shedding its attachment to romantic tendencies and exploring expressionism, through art embracing the surrealist extensions of the mystical, to cinematic developments, and even architectural conflicts between modernism and classicism. In the Germanic world, suffering {…}
This week the Festival Valle d’Itria in Martina Franca is set to open a new production of Bellini’s “Norma” which will be performed in Roger Parker’s Ricordi edition. The version will see two sopranos in the opera, which is close to what Bellini originally intended. Among the artists enlisted for this production is Jacquelyn Wagner. Wagner will make her house {…}
The story of how Accademia Bizantina (AB) began seems quite simple. But like all good stories, there is more to it than meets the eye. In 1983 three classmates of the Ravenna Conservatory met for coffee. This initial meeting included Angelo Nicastro, a violist and now director of the Ravenna Festival; Romano Valentini, a pianist, organist, and harpsichordist, as well {…}
This week, the Grange Festival is set to open a new production of “The Rake’s Progress,” the final showcase of the season. Among the cast members is Adam Temple-Smith, a rising star in the opera world. Throughout the past years, Temple-Smith has performed with Opera Holland Park, West Green House Opera, the Southrepps International Festival, Garsington Opera, Internazionale d’Arte Festival {…}
This week the San Francisco Opera will revive its acclaimed production of Händel’s “Partenope.” The production will star some of the most acclaimed singers in the Baroque repertoire and will showcase three debuts. Among the debuts is Italian countertenor Carlo Vistoli who has performed around the world. In anticipation of his debut, Vistoli spoke to OperaWire regarding the production. OperaWire: {…}
What does an unfinished opera have in common with a historical landmark, Chinese cultural history, thousands of singers, eloquent music, and expert dramaturgy? In 1998, just like Wagner’s trilogy, these disparate elements come together to form a work of epic proportion in Zhang Yimou and Zubin Mehta’s collaborative project, “Turandot at the Forbidden City.” In this article, we will explore {…}
