On Thursday, April 13, 2017, the Vienna State Opera is live streaming its current run of Wagner’s “Parsifal.” The Vienna State Opera’s current production of “Parsifal” has garnered strong reviews since it debuted a few weeks ago with Classical Source praising conductor Semyon Bychov for leading “a patient but never dragging interpretation. He and his musicians demonstrated great endurance and {…}
Fort Worth Opera’s 2018 Festival is slated to be monumental. The company has announced that it will be opening its weeks-long event with a production of “Das Rheingold,” the first installment in Wagner’s Tetralogy “Der Ring des Nibelungen.” “This is the first production of ‘Das Rheingold,’ or any opera from Wagner’s Ring Cycle, to be done in Fort Worth,” says {…}
This weekend audiences in Munich will get a chance to experience the dynamic duo that is Jonas Kaufmann and Anja Harteros in Giordano’s “Andrea Chénier.” Kaufmann likely needs no introduction, the tenor arguably the most popular of his voice type in the entire universe. Harteros deserves equal praise, her dramatic soprano a superb instrument that is simply unmatched in the {…}
Jonas Kaufmann has just announced that he will be releasing a recording of Mahler’s “Das Lied von der Erde.” The recording will be released April 7, 2017 and features Jonathan Nott is conducting the Vienna Philharmonic. As of yet there are no details on who the mezzo soprano in the recording will be, though there were previous reports that the {…}
This article was a joint collaboration between David & Francisco Salazar. “I like playing the villain.” That quote, as generic as it is, has been uttered in some variation by numerous actors throughout history. There is an excitement that comes with being the bad guy or girl. Of committing acts onscreen or onstage that you could never imagine doing out {…}
The San Francisco has announced its 2017-18 season with major classics making a return to the house and one significant world premiere slated to close out 2017. The big announcement of the day was that this season is music director Nicola Liusiotti’s last with the company, though it was hinted that the company would find ways to have him return {…}
The world is set to undergo a change this week with a massive transfer of power. There is tremendous uncertainty regarding this situation, some expecting the very worst. Art represents an interesting window into our deepest fears and opera has its fair share of oppressive regimes and tyrannical rule in all guises. What follows is a look at some of {…}
The wait is over – Jonas Kaufmann will finally make his long-awaited return on Wednesday, Jan 18 in Wagner’s “Lohengrin” in Paris. The tenor has been sidelined since October after announcing that side effects from medication had caused a haematoma. After that he committed to remaining on vocal rest until his haematoma “completely subsided.” This forced him to cancel numerous {…}
On Jan. 13 the Opera Platform will present Wagner’s “The Flying Dutchman” from the Finnish Opera. The production by director Kasper Holten interprets “The Flying Ditchman” without four-masters, hawsers and nautical romanticism. In his production the sailor becomes an artist, trapped in the world of international jet set and tells the story of a man, driven by his inspiration and {…}
30 performances. Seven cities. Five house debuts and two role debuts. That is what tenor Brian Jagde faces in 2017. The first half of 2017 that is. The tenor, who has been growing in prominence over the last few years, is slated for a monstrous calendar year that will see him make more house debuts than he ever has before. {…}
Welsh bass-baritone Bryn Terfel is a knight. The opera superstar was given the title in the New Year Honours by Queen Elizabeth II. “This is monumental for people to receive such an accolade,” he stated according to BBC News. “I’m immensely proud to accept this and I think of my family, I think of my sons, I think of my {…}