Metropolitan Opera 2016-17 Review – Der Fliegende Holländer: Amber Wagner & Michael Volle Deliver Complex Performances In Cathartic Season Send-Off

This is a review for the final performance of the run, which took place on May 12, 2017.  The first opera I saw during the Metropolitan Opera’s 2016-17 season was Richard Wagner’s “Tristan und Isolde.” So it was only fitting that the last one I saw this season was “Der Fliegende Holländer,” the first to truly establish the composer as {…}

Vienna State Opera 2016-17 Live Stream Preview: Nina Stemme, Gerald Finley Lead ‘Parsifal’

On Thursday, April 13, 2017, the Vienna State Opera is live streaming its current run of Wagner’s “Parsifal.” The Vienna State Opera’s current production of “Parsifal” has garnered strong reviews since it debuted a few weeks ago with Classical Source praising conductor Semyon Bychov for leading “a patient but never dragging interpretation. He and his musicians demonstrated great endurance and {…}

A Look Back At Anja Harteros & Jonas Kaufmann’s Remarkable Operatic History As Duo Reunites for ‘Andrea Chénier’

This weekend audiences in Munich will get a chance to experience the dynamic duo that is Jonas Kaufmann and Anja Harteros in Giordano’s “Andrea Chénier.” Kaufmann likely needs no introduction, the tenor arguably the most popular of his voice type in the entire universe. Harteros deserves equal praise, her dramatic soprano a superb instrument that is simply unmatched in the {…}

Committing Murder to Create Life – Bass Andrea Mastroni On Playing the Evil Sparafucile & Moving Beyond Italian Repertoire [Exclusive]

This article was a joint collaboration between David & Francisco Salazar.  “I like playing the villain.” That quote, as generic as it is, has been uttered in some variation by numerous actors throughout history. There is an excitement that comes with being the bad guy or girl. Of committing acts onscreen or onstage that you could never imagine doing out {…}