
Bayerische Staatsoper 2025-26 Review: Die Walküre
(Credit: Monika Rittershaus) The burden of immortality Few opera houses can claim the historical authority of Munich in matters Wagnerian. It was here, after all, that “Das Rheingold” and “Die Walküre” first reached the stage, and any new Ring mounted by the Bayerische Staatsoper must inevitably negotiate not only Wagner’s score but also the immense weight of tradition. Tobias Kratzer’s {…}







