Leoš Janáček’s “The Cunning Little Vixen” is set to be performed at the Staatsoper Stuttgart for the first time. The opera will be staged by Stephan Kimmig and will premiere on Nov. 9, 2025. The new production by Kimmig will center on the confrontation between nature and civilization. French conductor Ariane Matiakh will conduct the Staatsorchester Stuttgart with a cast {…}
The Staatsoper Stuttgart has announced its 2025-26 season. Premieres Sebastian Schwab conducts “I Did it My Way” by Nina Simone and Frank Sinatra. Ivo van Hove directs a cast that includes Lars Eidinger and Larissa Sirah Herden. Performance Dates: Sept. 26-28, 2025 Janáček’s “The Cunning Little Vixen” will get a new production by Stephan Kimmig. Ariane Matiakh conducts a cast {…}
Following the passing of 41-year-old soprano Beate Ritter, Staatsoper Stuttgart Artistic Director Viktor Schoner has released a statement about the soprano and her ensemble work with the company from 2018 to 2024. He said, “The Queen of the Night in Mozart’s ‘Magic Flute’ was her signature role. She portrayed it in over 150 performances in a wide variety of productions {…}
UPDATE: Ewa Vesin will replace Olga Busuioc in the title role. Vesin performed last Friday and will also take on the role again on Monday, January 27. The Staatsoper Stuttgart has announced a cast change for its Jan. 27 performance of “Tosca.” The company said that Dmytro Popov will sing the role of Cavaradossi, replacing an ill Atalla Ayan. Ayan previously {…}
Staatsoper Stuttgart is set to present Sergei Prokofiev’s “Der Spieler” based on Fyodor Dostoyevsky’s novel of the same name. Nicholas Carter, designated General Music Director of the company will conduct the production by Axel Ranisch, which will premiere on Feb. 2, 2025. This will mark the third time that Ranisch directs in Stuttgart, following his productions of “Die Liebe zu {…}
The year is at an end. But a new year brings new opera experiences and here at OperaWire, we are pumped for the potential of numerous performances. Here are the 10 productions we are most excited for in the first half of the 2025, in alphabetical order (and each company is limited to a single production on the list). Die {…}
The Staatsoper Stuttgart’s renovation is set to be more expensive than originally planned. According to the SWR, the planned renovation could cost between 1.5 and 2 billion euros and will have been higher than the original estimate of a billion euros. Additionally, the renovation is expected to be completed in 2044, four years after the planned finish. While the new numbers {…}
(Photo credit: Admill Kuyler) Beginning in Autumn 2026, Australian conductor Nicholas Carter will become General Music Director of Staatsoper Stuttgart and Staatsorchester Stuttgart. Carter is currently the Chief Conductor and Co-Opera Director of Bühnen Bern, a position he has held since 2021. Earlier this year, he conducted performances of “Das Rheingold” at Staatsoper Stuttgart and will take over the musical {…}
(Credit: Matthias Baus) (Warning: This article features descriptions of explicit content) The Staatsoper Stuttgart saw 18 audience members require medical treatment over the weekend following performances of “Sancta Susanna” in a production by Florentina Holzinger. According to the Guardian and TMZ, the production featured a live piercing, unsimulated sexual intercourse, and copious amounts of fake and real blood. The Daily {…}
Staatsoper Stuttgart has announced its 2024-25 season. First up is a production of “Der Freischütz” starring Johannes Kammler, Franz Hawlata, Natasha Te Rupe Wilson, and Kai Kluge. Cornelius Meister and Luka Hauser conduct a production by Achim Freyer. Performance Dates: Sept. 18 – Nov. 8, 2024 Pavel Yankovsky, Elizabeth DeShong, Rodrigo Porras Gaulo, and Atalla Ayan headline “Il Trovatore.” Valerio Galli {…}
Staatsoper Stuttgart is set to give the world premiere of Bernhard Lang and Frank Witzel’s new opera, “Dora.” The main character, Dora is in her mid-twenties and stuck in the sheltered surroundings of her family. In her relentless search for direction Dora resorts to calling upon the devil, and the story unfolds with Lang’s rhythm-driven music as her accomplice. The {…}
