CD Review: Sharon Carty & Jonathan Ware’s ‘Schubert’s Four Seasons’

(Photo: Frances Marshall  ) The seasons have provided a rich source of inspiration for composers; Vivaldi’s violin concerti and Haydn’s oratorio spring to mind, but there are many others, such as Vaughan-Williams’ “Folk Songs of the Four Seasons,” and more recently Cage’s “The Four Seasons,” whilst Schumann’s “Spring” symphony and Schubert’s song cycle “Winterreise” focused on a particular season. They {…}

Opera Meets Film: How Kurosawa Defines Character in ‘One Wonderful Sunday’ Using An Excerpt from Bizet’s ‘Carmen’

“Opera Meets Film is a feature dedicated to exploring the way that opera has been employed in cinema. We will hone in on a selection or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perceptions of a film that we are viewing. This week’s installment features Akira Kurosawa’s {…}

Opera Meets Film: How Bach & Schubert Provide Thematic Unity to Prologue & Epilogue of ‘The Killing of a Sacred Deer’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Yorgos Lanthimos’ “The {…}