This Sunday, the Metropolitan Opera’s recent production of “Rusalka” will hit TVs around the country as part of PBS’s Great Performances series. The performance will air on June 18 at 12 p.m. EDT. The opera stars Kristine Opolais in the title role, Jamie Barton as the witch Jezibaba, Eric Owens as the Water Sprite, and Brandon Jovanovich as the Prince. The {…}
The Russian Opera Workshop has announced its summer season presenting two main operas and a number of masterclasses. The company will first present Tchaikovsky’s “The Queen of Spades” starting on June 27, with the run concluding on the 29th. It will then present Alexander Dargomyzhsky’s “Rusalka,” a rarely performed bel canto-inspired lyric opera starting August 1 and running through the 3rd. The company {…}
“It’s like having a crime and then trying to justify it and find why it was committed.” That is how soprano Marina Rebeka, currently making her role debut as Donna Elvira at the Metropolitan Opera, approaches every single opera role or artistic endeavor she takes on. The soprano recently spoke with OperaWire regarding her upcoming projects, putting a spotlight on {…}
During a conversation with OperaWire regarding her upcoming performances of “Madama Butterfly” at the Royal Opera House, soprano Ana María Martinez related a story regarding her deep connection with the work. She narrated how during her first production of the opera at the Houston Grand Opera in 2010, her son was around the same age as the title character’s child {…}
Dvorak’s “Rusalka,” which premiered back on March 31, 1901, is among the most popular Czech operas in the standard repertoire. Unbeknownst to many, the work was not actually an adaptation of Hans Christian Andersen’s “The Little Mermaid or “Undine” by Friedrich de la Motte Fouqué. In fact, librettist Jaroslav Kvapil based his libretto on the work of Karel Jaromir Erben {…}
Mezzo-soprano Dolora Zajick is synonymous with Verdi. She’s been the leading Azucena at the Metropolitan Opera house over the last few years, singing the role a whopping 58 times since her debut on October 8, 1988, also in that very role. In Verdi’s “Aida,” she has performed the role of Amneris 80 times at the house. Throw in 17 performances {…}
A new opera starts its life on Saturday while a rarity gets its premiere in a major city and a modern masterwork arrives in our nation’s capital. Yes, opera is finally starting to bloom around the States, with many smaller companies getting in on the act. Arizona Opera is showcasing the world premiere of Bohmler’s “Riders of the Purple Sage.” {…}
We acknowledge that OperaWire is late to the “Rusalka” party, but here is our review for the performance on Feb. 17, 2017, the fifth performance of this run. Antonín Dvorák’s “Rusalka” is the epitome of a metaphorical operatic identity crisis. The opera, which is a grim version of Hans Christian Andersen’s “The Little Mermaid,” follows the story of a water {…}
Prepare yourself for two high profile premieres this weekend on opposite sides of the country. On Saturday, the Los Angeles Opera lifts the curtain on “Salome” starring Patricia Racette in the role that she dominated at the Metropolitan Opera. Regarding her performance OperaWire wrote, “she dominated the stage in one of her greatest achievements on the Met stage.” Another major {…}
It’s Valentine’s Day, a momentous occasion to celebrate love and romance. Romance is at the heart of opera with the art forms pull coming from our connection with beautiful love affairs. Most everyone melts at Rodolfo and Mimì’s blooming love in “La Bohème” or Alfredo and Violetta’s in “La Traviata.” We admire the sacrifice of Roméo and Juliette or even {…}
Jamie Barton is the 2017 winner of the Beverly Sills Artist Award, given to extraordinarily gifted singers between the ages of 25 and 40 who have already appeared in featured solo roles at the Met. Barton made her Met debut in 2009 as the Second Lady in Mozart’s “Die Zauberflöte.” She would return in 2013 to take on the role {…}
