PENTATONE has announced that it will now be releasing mobile-optimized booklets for its releases. The feature will be available for a select range of works, though it will be expanded further over time. “At PENTATONE, we’re always thinking about the user experience, and this shift to mobile-optimized content is part of our ongoing commitment to ensure our audiences can enjoy every {…}
PENTATONE has a new licensing partnership with Collabhouse. The partnership will offer up composers, filmmakers, advertisers, game developers, and other creators an opportunity to use PENTATONE’s catalogue for their works. “At PENTATONE, we’re always looking for innovative ways to share our music with new audiences. This collaboration with Collabhouse creates exciting possibilities for fresh interpretations and fosters creativity across industries. {…}
After this summer’s “Un Ballo in Maschera,” the forces behind the Dutch label Pentatone are turning their attention to another heavy-hitter from the Italian repertoire: with “Tosca” they enter the well-trodden territory of one of the most recorded operas ever. Yet, Carlo Montanaro and the Rundfunk-Sinfonieorchester do not pretend to proverbially reinvent the wheel the way Rostropovich famously did in {…}
The San Francisco Conservatory of Music announced that it is the new home of PENTATONE Music. The new partnership will enable students, artists, and the public to benefit from the combined resources of a leading conservatory and a legendary label. PENTATONE joins an existing alliance between SFCM and Opus 3 Artists, a renowned management company that the Conservatory acquired in October 2020. {…}
PENTATONE has announced that Sean Hickey will be its new Managing Director. Hickey’s career spans three decades in the recording industry. He was Senior Vice-President, Sales and Business Development, for Naxos of America, a company he was with for 19 years. Additionally, Hickey is an award-winning composer who has been recorded for such labels as Naxos, Delos, Our, Marquis, Toccata, {…}
PENTATONE has announced a long-term partnership with the Czech Philharmonic. In a statement, the company said, “there are a handful of orchestras in the world whose sound culture, while firmly rooted in a particular realm of repertoire, transcends generations and shifting national boundaries – the Czech Philharmonic among them. It is extraordinarily fortunate and beautifully symbolic that we have at {…}
Pentatone’s Managing Director Simon M. Eder has joined international artist management agency Intermusica as Managing Director, Business Development starting January 2022. Eder joined Pentatone in 2013 as Marketing Director and was appointed Managing Director in 2017. During his time with the label, the organization completely rebranded and flourished into the digital era. Pentatone also focused on expanding its catalog and {…}
PENTATONE is celebrating 20 years since its founding in 2001 launching a miniseries of releases, showcasing 20 years of the company’s catalogue. In a statement, Managing Director Simon M. Eder said, “I am excited that we are celebrating 20 years of PENTATONE this fall, with the label’s future never having looked brighter. In the two decades of its existence, PENTATONE {…}
PENTATONE is celebrating the two Oscar wins for “The Father.” In a statement, the company said, “We are proud to announce that the music from our recording of ‘Les Pêcheurs de Perles’ with Les Cris de Paris, the Orchestre Nationale de Lille and Alexander Bloch was used as part of the soundtrack of ‘The Father,’ which has been awarded with {…}
Lisette Oropesa has dropped the first single from her upcoming album “Ombra Compagna.” The single “Sol nascente” from her new Mozart album will be available on all platforms. The music video will first be available on Apple Music before dropping on other platforms. Oropesa’s debut album with San Francisco Classical Recording Company is set to be released on May 7 {…}
PENTATONE has announced the organization have been awarded as the International Classical Music Award’s 2020 “Label of the Year,” as well the ICMA “Vocal Music” prize for their recording of Schubert’s “Winterreise” with Ian Bostridge and Thomas Adès. While the ceremony was intended for April at the Teatro de la Maestranza in Spain, the accolades were instead given out at {…}