Ennio Morricone’s sole opera “Partenope” will receive its world premiere at Teatro San Carlo. The work will be performed on Dec. 12 and 14 and will be conducted by Riccardo Frizza. The new Teatro San Carlo production will be entrusted to the vision of Vanessa Beecroft who will work alongside Daniela Ciancio and Danilo Rubeca. The cast will include Jessica {…}
(Photo: Lloyd Winters) Händel’s “Partenope” has always occupied an unusual place in his output: admired by connoisseurs, overshadowed by his more solemn opera seria, and still rarely staged today. Yet this revived 2025 London Coliseum production—delivered with defiant vitality amidst the ENO’s institutional turbulence—makes a persuasive case for the opera’s brilliance. Led by a compelling young cast including Nardus Williams, {…}
(Photo by Asami Nakano) The Australia Brandenburg Orchestra will feature soprano Yukie Sato in its “Handel’s House” concert series. The program for the series will feature arias by Händel from “Partenope” and “Alcina” as well as Pisendel’s Violin Concerto in D major, JunP 1.7. “I’m excited to collaborate with the Australian Brandenburg Orchestra on such a great program of arias, {…}
(Photo: Cory Weaver) French soprano Julie Fuchs is the current toast of her operatic genre, as much as the character she portrays in the San Francisco Opera production of George Frideric Handel’s “Partenope.” Last weekend’s audience cheered, screamed, applauded, and thrilled to Fuchs’s electrifying dispatch of the daunting role—her final aria even stopped the show in its tracks! With glamorous costuming {…}
(Photo: Olivier Metzger) French soprano Julie Fuchs has been busy thrilling opera audiences all over Europe with her wide-ranging repertoire, from Baroque to contemporary. She is currently making her American debut in the title role of Händel’s “Partenope” at San Francisco Opera. A lifelong singer, Fuchs began her musical training in Avignon before going on to study at the Conservatoire {…}
This week the San Francisco Opera will revive its acclaimed production of Händel’s “Partenope.” The production will star some of the most acclaimed singers in the Baroque repertoire and will showcase three debuts. Among the debuts is Italian countertenor Carlo Vistoli who has performed around the world. In anticipation of his debut, Vistoli spoke to OperaWire regarding the production. OperaWire: {…}
San Francisco Opera’s 2024 Summer Season will continue with Händel’s “Partenope.” The opera will be showcased in Christopher Alden’s 2014 production and Christopher Moulds, a baroque specialist, will conduct. The opera will star soprano Julie Fuchs in her American debut in the title role of Partenope, Carlo Vistoli in his U.S. debut, Nicholas Tamagna, Daniela Mack, Alek Shrader, and Hadleigh Adams. {…}
Credit: Jiyang Chen Countertenor Jakub Józef Orliński is set to give two concerts in Spain in January 2021. The first stop for the countertenor will be at the Palau de la Música Catalana in Barcelona on Jan. 11, and the second concert will take place at the National Auditorium in Madrid on Jan. 17, 2021. On both occasions, Orliński will {…}
One of the first composers born in the western hemisphere, Manuel de Zumaya (1678-1744) combined Baroque music with the sounds of colonial Spain. His lost opera, “Partenope,” was the first written in Italian to premiere in the New World. The work was first shown to audiences in Mexico City at the viceroy palace on May 1, 1711, making it the {…}
HGO, North London’s leading opera company, will perform Handel’s “Partenope.” The production for this opera will be directed by Ashley Pearson, who stated in a press release, “The great power of Handel’s opera lies in his ability to convey through the music the depth of feeling of each of his characters. Every aria is grounded in feelings which are familiar to {…}