(Photo: Zani-Casadio) Following on from the previous day’s performance of Monteverdi’s “Il Ritorno di Ulisse in Patria,” Ravenna’s Teatro Alighieri continued with a production of Purcell’s “Dido and Aeneas” coupled with “Hail, Bright Cecelia,” presented by the same cast under the musical direction of Ottavio Dantone. The fact that Pier Luigi Pizzi, who had been responsible for the lackluster staging {…}
(Photo: Zani-Casadio) In his program notes, the director, Pier Luigi Pizzi, writing about “Il Ritorno di Ulisse in Patria,” stated that “the opera speaks for itself,” adding, “we must not induce or force its interpretation… It is up to the audience to confront it, to think about it, and to decide for themselves whether or not it is worthwhile.” Even {…}
The story of how Accademia Bizantina (AB) began seems quite simple. But like all good stories, there is more to it than meets the eye. In 1983 three classmates of the Ravenna Conservatory met for coffee. This initial meeting included Angelo Nicastro, a violist and now director of the Ravenna Festival; Romano Valentini, a pianist, organist, and harpsichordist, as well {…}
The Innsbruck Festival of Early Music has announced that Ottavio Dantone will take over as music director for the next five years. He joins new Artistic Director Eva-Maria Sens in taking over for Alessandro De Marchi, who held the position of Artistic Director from 2010-2023. Additionally, the Accademia Bizantia of Ravenna, Italy will become the “Orchestra in Residence” during those {…}
(Photo: Zani-Casadio) The rehabilitation of Vivaldi’s operas continues apace. Over the past five or six years, the number of performances of his works has soared so that productions, which would have only recently been classed as welcome but rare events, are now becoming increasingly common. At least, that is the case in Italy and one or two other countries. It {…}
(Photo: Zani-Casadio) In the space of three days, Ravenna’s Teatro Tradizione Dante Alighieri performed two operas, both of which involved trips into the afterlife. The first, “Il Viaggio di G.Mastorna” was a contemporary opera by Matteo D’Amico in which the hero Mastorna is killed in an airplane crash and condemned to journey through a modern-day purgatory in search of peace. {…}
(Photo: Michele Monasta) The Greek gods are a colorful crowd, who enjoy nothing better than involving themselves in the world of Man. Woe betide anyone who is unfortunate enough to attract their attention, whether it be for good or ill; the gods act in their own interests, seeking pleasure and entertainment in all its forms wherever they can find them. {…}
(Credit: Ray Burmiston / Kamil Szkopik) Gramophone Classical Music Awards will host an online charity gala to support musicians who have struggled with the cancelations brought about by the COVID-19 crisis. The event, which is set for May 10, 2020 at 7 p.m. BST will star Jean-Efflam Bavouzet, Ian & Oliver Bostridge, Bertrand Chamayou, Colin Currie, Lise Davidsen, Sabine Devieilhe, {…}