New York City’s Cathedral of St. John the Divine has announced its ninth season of “Great Music in a Great Space.” Director of Cathedral Music and organist Kent Tritle will lead the chorus. Musica Sacra will perform Guillaume de Machaut’s “Messe de Nostre Dame,” Josquin des Prez’ Motets, and Gregorian Chant during “Music for a Gothic Space.” A recital by {…}
The Oratorio Society of New York has revealed details of its upcoming 147th season, which will include two world premieres. The season will kick off with “Rachmaninoff and Duruflé” at Cathedral of St. John the Divine. The program will include excerpts from Rachmaninoff’s Vespers, an “a cappella work of remarkable spirituality,” along with Duruflé’s Requiem. Featured vocalists will include contralto Kirsten {…}
Verdi’s Requiem is one of the most powerful pieces of music ever created. When performed to its maximum expression it can be a transformative experience, one full of fear, intense, suffering, but even hope. The Oratorio Society of New York performed the masterpiece at Carnegie Hall on Thursday, May 9, 2019, in a performance that was undeniably potent, though perhaps {…}
The Oratorio Society will conclude its 2018-19 Carnegie Hall season with Verdi’s Requiem. The OSNY Music Director Kent Tritle is set to lead the performance with Elizabeth de Trejo, Raehann Bryce-Davis, Joshua Blue, and Adam Lau. The performance will mark De Trejo’s OSNY debut and her second collaboration with Kent Tritle, who worked with her at the Great Mountains Music {…}
The Oratorio Society of New York revealed the winners of the 43rd Annual Lyndon Woodside Oratorio-Solo Competition on April 6, 2019 following the finalists’ performances in Weill Recital Hall at Carnegie Hall. Competition Chairwoman Janet Plucknett made the announcement. Beating out well over a hundred other applicants from around the world, baritone Steven Eddy of Laurel, MD took first place, {…}
The Oratorio Society of New York is set to perform Finnish composer Sibelius’ “Kullervo,” as well as works by Berlioz and Debussy, at Carnegie Hall on Feb. 25, 2019. The Oratorio Society will divide its 200 member group for its third concert of the season. The women’s chorus will be singing Berlioz’s “La mort d’Ophélie,” a movement from “Tristia,” and {…}
On Nov. 11, 2018, the Oratorio Society of New York will celebrate Polish Independence. The concert, led by Kent Tritle, will be part of “100 for 100,” a worldwide musical commemoration of the Polish centenary in conjunction with the Polish Cultural Institute New York, and PWM Edition. The concert will feature Szymanowski’s Stabat Mater and Górecki’s Euntes Ibant et Flebant. {…}
The Oratorio Society of New York has announced its 2018-19 Carnegie Hall season. The organization, led by Kent Tritle, will kick off its season with a performance dedicated to the Centennial of the Armistice and of Polish Independence. The concert will feature Szymanowski’s “Stabat Mater” as well as Gorecki’s “Euntes Ibant et Flebant” and the “Dona nobis pacem” by Vaughan {…}
On May 7, 2018, audiences at Carnegie Hall were treated to not one, but two world premieres by The Oratorio Society of New York. The first work, “We Are One,” comes from composer Behzad Ranjbaran. It is described as “an expression of our shared desire for respect, justice, freedom, and peace… ‘We Are One’ employs a unified musical tone throughout {…}
The Oratorio Society of New York will present world premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English. The two works that will be presented include “Sanctuary Road,” by Paul Moravec and Mark Campbell {…}
On Monday, Dec. 18, 2017, the Oratorio Society of New York will continue its tradition of performing Handel’s “Messiah” with music director Kent Tritle leading the 144th performance. The vocal soloists will be soprano Kathryn Lewek, mezzo-soprano Sara Murphy, tenor Lawrence Jones, and bass-baritone Dashon Burton. The Oratorio Society of New York has the distinction of having performed Handel’s “Messiah” every {…}