OPERA America has announced librettist Stephanie Fleischmann as the 2022 Campbell Opera Librettist Prize winner. Conceived and funded by Pulitzer Prize and Grammy Award-winning librettist Mark Campbell, the prize seeks to raise the profile of librettists, who seldom receive recognition for their work. The award comes with a $7,000 prize to support creative and career development. Fleischmann, an alumna of {…}
Opera America has announced the recipients of its 2022 Repertoire Development Grants. The recipients for the grant include American Lyric Theater, Beth Morrison Projects, Houston Grand Opera, MassOpera, Opera Theatre of Saint Louis, Lyric Opera of Chicago, Pensacola Opera, OperaDelaware, and Virginia Opera. In sum, the nine companies will receive $225,000 to develop eight new American operas. “Fostering the creation {…}
OPERA America has announced “OPERA America Salutes,” a celebration of opera’s outstanding leaders and the organization’s next 50 years. The March 4, 2022 event honoring artists, producers, and champions of the art form, will take place at The University Club of New York, and be hosted by mezzo-soprano, Denyce Graves. OPERA America will funnel the proceeds for the event into {…}
OPERA America has announced it will be presenting a special series of webinars curated by the Women’s Opera Network that will focus on mental health challenges faced by those working in the opera industry. The Taking Care series will begin with “Mental Health Care for Creators and Artists” on Thursday, June 24, 2021, at 5:00 pm. This session will explore {…}
OPERA America has announced a dues waiver for the fiscal year 2022. This is the second consecutive year the organization has issued a waiver. In sum, 170 U.S. Professional Companies and 425 Organizational Members, including Associate, Business, Career Services, and Educational Producing Associate Members, are eligible. The Ann and Gordon Getty Foundation, which has supported the field through OPERA America’s Building Opera {…}
OPERA America has announced the winners of the Opera Grants for Women Stage Directors and Conductors. In sum, the company will be providing $36,650 in grants with professional company members receiving up to $10,000 to subsidize as much as 50 percent of the fee of a woman stage director or conductor who is working for the company for the first {…}
OPERA America has announced that Douglas Kearney has been named the inaugural recipient of the Campbell Opera Librettist Prize. The award, conceived and funded by Mark Campbell, is the first in American opera to specifically honor the work of the librettist. An alumnus of Howard University and CalArts, Kearney has written libretti for such operas as “Sweet Land,” “Crescent City,” {…}
Opera America has announced the recipients of its 2021 Discovery Grants from the Opera Grants for Women Composers program. In sum, the winners will receive $100,000 dollars in support; grants were generously supported by the Virginia B. Toulmin Foundation. This year’s winners include Gelsey Bell for “mɔːnɪŋ,” Christina Campanella for “The Visitation,” Asako Hirabayashi for “Hebi-onna (Snake Woman),” Angel Lam {…}
OPERA America has announced the recipients of $180,000 in Civic Practice Grants. The awards went to eight Professional Company Members that were selected by industry leaders from a pool of 38 applications. The grantees are Anchorage Opera, Baltimore Concert Opera, Cincinnati Opera, Los Angeles Opera, Opera Cultura (San Jose, CA), Opera Parallèle (San Francisco, CA), Opera Saratoga, and White Snake {…}
The Opera America has announced the winners of the Robert L.B. Tobin Director-Designer Prize. The four winning teams are: The production of the “The Central Park Five” by Davis and Wesley. The award went to the hands of Bruno Baker, director; Chantelle Good, choreography; Frank J. Olivia, set design; Sabrina Bianca Guillaume, costume design; and Ginevra Lombardo, lighting design. The {…}
One week remains to register for Opera America’s Opera Conference 2021 which runs from May 10th, 2021 – May 27, 2021. The opera field will come together to discuss and address key opportunities as the industry rebuilds after devastating closures. The conference’s first week, “Artists at the Center” highlights significant innovations produced by individual artists during the pandemic. Opening Session {…}