(Credit: Gemma Escribano) Soprano Marina Monzó will perform the role of Die Königin der Nacht in the upcoming production of Mozart’s “Die Zauberflöte” at the Bayerische Staatsoper, replacing the originally scheduled Sabine Devieilhe. Monzó joins a cast that includes Pavol Breslik as Tamino, Olga Kulchynska as Pamina, and Günther Groissböck as Sarastro. The cast also includes Eliza Boom, Daria Proszek, {…}
The Opernhaus Zürich has announced its 2021-22 season. Here is the full slate. Operas – Premieres Richard Strauss‘ “Salome” will star Elena Stikhina, Kostas Smoriginas, Wolfgang Ablinger-Sperrhacke, Michaela Schuster, Mauro Peter, and Siena Licht Miller. Simone Young conducts the production by Andreas Homoki. Performance dates: Sep. 12 – Oct. 17, 2021 Verdi‘s “Il Trovatore” will spotlight Quinn Kelsey, Marina Rebeka, {…}
The Dutch National Opera has announced its 2021-22 season featuring new productions, new voices, films, and a festival dedicated to Orpheus. Productions Zemlinsky’s “Der Zwerg” opens the season in a new production by Nanouk Leopold. Lorenzo Viotti conducts the opera which is set to star Clay Hilley in the title role, Olga Kulchynska as Donna Clara, Annette Dasch as Ghita, {…}
(Credit: Rosa Frank) The Wiener Staatsoper has announced that soprano Vera-Lotte Boecker will sing the role of Micaëla for the premiere of Bizet’s “Carmen,” replacing Olga Kulchynska. Boecker is the second cast change in the production after Piotr Beczała took over the role of Don José replacing Charles Castronovo. Last month there was a COVID-19 outbreak at the opera house {…}
(Credits: David Agassi / Johannes Ifkovits / Deniz Saylan / Sony Classical / Wiener Staatsoper official website) Wiener Staatsoper has announced the next slate of operas that it will be presenting on its streaming platform over the next week. First up is Mozart’s “Don Giovanni” with Mariusz Kwiecien, Erwin Schrott, Marina Rebeka, Juliane Banse, and Benjamin Bruns. Ádám Fischer conducts {…}
(Credit: Piotr Beczała official website) The Wiener Staatsoper has announced a cast change for the premiere of Calixto Bieito’s production of Bizet’s “Carmen.” The company announced that Piotr Beczała will replace Charles Castronovo in the role of Don José. Castronovo was recently hospitalized due to COVID-19 and is currently recovering. Therefore, he will not be able to make all scheduled rehearsals. {…}
(Images source: MEZZO TV website) Opernhaus Zürich will broadcast three operas on MEZZO TV throughout January and February 2021. First up will be Bellini’s operatic jewel “I Capuleti e i Montecchi” featuring Joyce DiDonato in the role of Romeo, Olga Kulchynska as Giulietta, Benjamin Bernheim in the role of Tebaldo, Alexei Botnarciuc as Capellio, and Erik Anstine as Lorenzo. Opernhaus {…}
(Credits: Gregor Hohenberg/Sony / Chris Singer / Rebecca Fay / Artists Management Zürich official website) The Bayerische Staatsoper has announced the full slate for its 2020-21 free streaming season. Here is the look. Walter Braunfels’ “Die Vögel” will feature Wolfgang Koch, Günter Papendell, Caroline Wettergreen, Emily Pogorelc, Yajie Zhang, Eliza Boom, Bálint Szabó, Theodore Platt, George Vîrban, Charles Workman, and {…}
The Wiener Staatsoper has announced its massive 2020-21 season. Here is a rundown. Premieres Philippe Jordan conducts Puccini’s “Madama Butterfly“ in Anthony Minghella’s acclaimed production. The production from 2005 arrived in Vienna with Asmik Grigorian in the title role, Virginie Verrez, Freddie De Tommaso, and Boris Pinkhasovich. In January, Grigorian is joined by Noa Beinart and Marcelo Puente. A third {…}
(Credit: Teatro Cervantes/Bayerische Staatsoper) This weekend, three new productions open with superb casts. Meanwhile one of the biggest stars in opera makes a major debut while a production will continue in very intriguing circumstances. Norma – Staatsoper Hamburg, Germany Marina Rebeka headlines a new production of “Norma” by Yona Kim. Rebeka takes on her signature role alongside Marcelo Puente, Liang {…}
Franco Zeffirelli’s production of Puccini’s “La Bohème” is back at the Metropolitan Opera. It’s big, grand and a crowdpleaser thats gets reaction from the audience, particularly at the opening of Acts two and three. It’s well-known for its detailed, classic take on the opera and is the most staged production in the Met’s repertory. Since its premiere in 1981 the {…}