“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}
The Ópera de Oviedo has announced new dates for its upcoming production of “Madama Butterfly.” Following two postponements due to a surge in COVID-19 cases in Spain, the company has announced that the Puccini opera will now open on Dec. 6, 2020. The six performances will alternate with the upcoming “Fidelio” production, which will celebrate Beethoven’s 250th anniversary. The company {…}
The Ópera de Oviedo has postponed the opening of its “Madama Butterfly” production for the second time. The production, which was originally postponed for Nov. 20 will be unable to open due to the increase in COVID-19 cases in the region of Asturia in Spain. While the majority of Spain has seen a clear improvement per reports on Monday, Nov. {…}
The Ópera de Oviedo has announced it will postpone the opening of its production of Puccini’s “Madama Butterfly.” After the region of Asturias imposed restrictions on the region for two weeks, the company said, “that it will reschedule the opera for Nov. 20, 21, 23, 25, 28, and 30 once the restrictions are lifted and will continue to follow safety regulations {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Nicholas {…}
(Credit: Irina Arkhipova Foundation) Russian tenor Vladislav Piavko has died at the age of 79. Piavko began his career as a student at the Moscow Conservatory before continuing his studies in Milan. The tenor performed major roles at the Bolshoi Theater in Moscow for over 25 years, including the role of Radames in Verdi’s “Aida” and Manrico in “Il Trovatore;” {…}
(Credit: © Dario Acosta) The Teatro alla Scala has announced that celebrated Russian soprano Anna Netrebko will return to the stage on Oct. 21, 2020, following a recovery from COVID-19-induced hospitalization. Netrebko will perform a program that includes “Ritorna vincitor” from “Aida,” and “Tu che le vanità” from “Don Carlo” by Verdi; “Suicidio!” from Ponchielli’s “La Gioconda;” “Poveri fiori” from {…}
Boston Lyric Opera has announced the revamped 2020-21 season. The company plans to reschedule productions of Puccini’s “Madama Butterfly” and Blanchard and Cristofer’s Jazz opera “Champion” for the 2021-22 season while Humperdinck’s “Hansel und Gretel” will be postponed for a future date. Instead, BLO will offer operatic content through outdoor performances in the fall 2020 and spring 2021, as well {…}
(Credit: Tatyana Vlasova) Soprano Kristine Opolais has announced on her Instagram profile that she will begin a collaboration with the concert agency Berin Iglesias Art. The company was founded in 2003 in Germany. Its current roster includes such artists as Anna Netrebko, Yusif Eyvazov, Olga Peretyatko, Ekaterina Gubanova, Ekaterina Semenchuk, and Maria Kataeva, among others. Berin Iglesias Art will be {…}
(Credit: Emelie Kroon) When COVID-19 struck a few months back, one of the final “live” performances to take the stage was a rendition of Wagner’s “Die Walküre” in Sweden. Among the performers in that production was dramatic soprano Elisabet Strid, who took on the role of Sieglinde. Strid, who has performed in such opera houses as the Teatro Real, Lyric {…}
(Credit: © Gregor Hohenberg) The Metropolitan Opera Stars Live in Concert series continued this Sunday with a performance by the celebrated French-Italian tenor Roberto Alagna and Polish soprano Aleksandra Kurzak on the hilltop medieval village of Èze, France. On the outdoor terrace located at the Château de la Chèvre d’Or, Alagna and Kurzak were accompanied by the Vienna Morphing Quintet. {…}