Washington National Opera 2017-18 Review – Don Carlo: Great Voices & A Brilliant, Fatalist Production Make Verdi Masterwork More Relevant Than Ever

It’s somewhat of a cliché for Golden Age thinking to creep into the dialogue of the opera world. How many times have you heard someone make the claim that they don’t make great voices the way they used to? The obvious answer is that they don’t because the world has changed and so have tastes. But sometimes, you’ll find those {…}

Leah Crocetto, Lawrence Brownlee & Ailyn Pérez To Be Featured In LA Philharmonic’s 2018-19 Season

The LA Philharmonic has announced its 2018-19 season featuring some of the greatest stars in the world. For this season announcement, we will solely concentrate on the operatic and vocal events. Take a look. Baroque  The LA Phil kicks off its baroque series with “L’arpeggiata” featuring musical director Christina Pluhar, soprano Céline Scheen, male soprano Vincenzo Capezzuto, and dancer Anna Dego. The concert will {…}

Jonas Kaufmann, Anna Netrebko & Renée Fleming Headline Star-Studded Carnegie Hall 2018-19 Season

Carnegie Hall announced its 2018-19 season featuring some of the world’s greatest singers and musicians. To stick with opera, we will only be highlighting the singers who will be featured in the season. Orchestras  Mezzo-soprano Lucile Richardot will be featured with the Orchestre Révolutionnaire et Romantique under the direction of Sir John Eliot Gardiner in an all-Berlioz program. The program will feature {…}

Top 6 Operas to See This Weekend – International (1/5-7): Leah Crocetto, Jonas Kaufmann & Jessica Pratt Headline Weekend

This weekend opera audiences are in for some classic gems with some rising stars. Jonas Kaufmann also returns to the stage while the Prague National Opera showcases a rare opera two times. “No Man” – Prague National Opera, Czech Republic The Prague National Opera gives audiences a rare chance to see Jiří Kadeřábek’s music drama with an all-Czech cast on {…}

San Francisco Opera 2017-18 Review – Turandot: Exquisite Nina Stemme, Leah Crocetto, Brian Jagde Lead Socially Relevant Interpretation of Puccini Masterwork

To wait for one whole act, plus a quarter of a second, just to glimpse the heroine, let alone hear her, is practically a crime. Especially, with all the talk. From the moment the curtain rises, what do we hear? Turandot, Turandot, Turandot. And so, where is she? On and on, troops of “the people” – boy chorus, various authorities {…}