(Credit: Cory Weaver/Metropolitan Opera) The Los Angeles Opera will present simulcast for Verdi’s “Aida” on June 4, 2022. The performance stars soprano Latonia Moore, tenor Russell Thomas, bass Peixin Chen, baritone George Gagnidze, bass Morris Robinson, and soprano Melody Moore. The work will be conducted by James Conlon. Using nine HD cameras, the company will transmit the showcase live from {…}
The Seattle Symphony Orchestra is set to present a series of concerts featuring two renowned Requiems performed by some of the world’s greatest opera stars. First up, the ensemble will present a program of music by Brahms and Stravinsky. Audiences will hear Brahm’s famed German Requiem with Soraya Malfi and Alexander Dobson as the soloists. The program will also include {…}
The Berlin State Opera has announced its 2022-23 season featuring a new Ring Cycle. The Ring Cycle Daniel Barenboim conducts a new production of Wagner’s epic The Ring Cycle by Dmitri Tcherniakov. Wagner’s “Das Rheingold” is set to star Michael Volle, Lauri Vasar, Siyabonga Maqungo, Rolando Villazón, Claudia Mahnke, Anett Fritsch, Anna Kissjudit, Johannes Martin Kränzle, Stephan Rügamer, Mika Kares, {…}
The Washington National Opera has announced its 2022-23 season. The season kicks off with Brenna Corner’s production of “Il Trovatore” starring Latonia Moore, Raehann Bryce-Davis, Gwyn Hughes Jones, Christopher Maltman, and Ryan Speedo Green. Michele Gamba conducts. Performance Dates: Oct 22 – Nov. 7, 2022 Next up is Strauss’ “Elektra” with Christine Goerke in the title role. The cast also {…}
Opera Philadelphia has announced its 2022-23 season which will see the return of the season-opening Festival O. Festival O22 (Sept. 21-Oct. 2) The season will open with Rossini’s “Otello” starring Opera Philadelphia Artistic Advisor Lawrence Brownlee as Rodrigo. He is joined by fellow tenors Khanyiso Gwenxane in the title role and Alek Shrader as Iago, with mezzo-soprano Daniela Mack as Desdemona. {…}
The Met Opera’s 2022-23 season is here. And that also means that one of its most popular aspects, the Live in HD series, is also back with a slew of new entries. So here is a rundown of what opera productions you will get a chance to not only watch live in cinemas, but eventually online and on TV. Sir {…}
The Metropolitan Opera has announced its 2022-23 season featuring seven new productions. Here is a breakdown of the season. New Productions Sir. David McVicar directs a new production of Cherubini’s “Medea” with Sondra Radvanovsky in the title role. The cast will be rounded out by Janai Brugger, Ekaterina Gubanova, Matthew Polenzani, and Michele Pertusi. Carlo Rizzi conducts. Performance Dates: Sept. {…}
After a year and a half of limited performances and shut downs, 2021 marked the year during which performers were able to bring their artistry to the stage and to the audiences. And now 2021 is bringing down its curtain. There were so any memorable moments in the year and there were truly some historical performances. Like previous years, OperaWire {…}
On December 19, 2021, 11th Hour Theatre Company will present a podcast version of Charles Dickens’ holiday classic, titled “A Philadelphia Christmas Carol.” This radio play, adapted by Mark Shanahan, will feature company musicians joined by internationally-acclaimed artists of opera and musical theatre. The cast is comprised of Ian Peakes as Scrooge, Lindsay Smiling as Bob Cratchitt, Liz Filios as {…}
The Lucerne Festival in Switzerland has announced its 2022 season featuring a diverse program of works. Here is a look at the vocal performances that the Swiss festival will offer this summer. Riccardo Chailly conducts the Lucerne Festival Orchestra with Andrè Schuen. The program includes Mahler’s “Lieder eines fahrenden Gesellen” and Symphony No. 1 in D major. Performance Dates: August {…}
(Credit: Evan Zimmerman) On October 31, 2021, the Metropolitan Opera opened this season’s run of the Gershwins’ “Porgy and Bess.” This revival of James Robinson’s acclaimed, 2019 production saw nearly the entire cast return to Catfish Row for a truly powerful opening night, led by conductor David Robertson. The set featured a rotating, framework of the boarding house which struck {…}