
Opernhaus Zürich 2022-23 Review: Lakmé
By the end of the first act, I knew it: to watch Sabine Devieilhe singing “Lakmé” is one of the greatest privileges of my life. Sopranos who can undertake Leo Delibes’ most cultivated operatic role are so rare that generations could be named after them: from Mady Mesplé to Natalie Dessay, Joan Sutherland to Christiane Eda-Pierre, Mado Robin to {…}