This week La Monnaie/De Mont is set to open the world premiere of Fanny and Alexander. The work is based on Oscar-winning film “Fanny och Alexander” from 1982. The work will include a commanding cast of 16 soloists many of them veterans and some newcomers. Among them are Anne Sofie von Otter. Over the years, Von Otter has evolved her {…}
(Credit: La Monnaie / De Munt | Johan Jacobs) OPER! AWARDS has announced that La Monnaie / De Munt has been awarded Best Opera House of 2024. The jury of the OPER! AWARDS announced the news in Berlin and noted that the award will be presented on Feb. 21, 2025 during a gala at the Brussels Opera House which will {…}
La Monnaie De Munt has been recognized for its scenography of “Das Rheingold” by the French Comité du Syndicat de la Critique. The production directed and designed by Romeo Castellucci received the award at the Prix de la critique 2022-23 ceremony on June 6. The event was held at the Paris Théâtre de la Ville-Sarah Bernhardt. La Monnaie De Munt’s {…}
La Monnaie de Munt has announced the 2024-25 season. Opera Wagner’s “Siegfried” will star Magnus Vigilius, Peter Hoare, Gábor Bretz, Scott Hendricks, Wilhelm Schwinghammer, Ingela Brimberg, Nora Gubisch, and Liv Redpath. Alain Altinoglu conducts Pierre Audi’s production. Performance Dates: Sept. 11-Oct. 4, 2024 Kris Defoort’s “The Time of Our Singing ” will star Mark S. Doss, Claron Mcfadden, Simon Bailey, Levy {…}
La Monnaie / De Munt has released new details for its “Rivoluzione e Nostalgia.” Imagined by Carlo Goldstein and Krystian Lada, the new story features music from Verdi’s first 16 operas and is set in May 1968 and in 2008. Audiences will experience the story across two separate performances. “Rivoluzione” takes place in the late 1960s and will be presented {…}
(Photo: Chiara Mirelli) Mezzo-soprano Raffaella Lupinacci, having just completed a run of performances as Giovanna Seymour in La Monnaie’s presentation of “Bastarda,” a larger-than-life presentation of Queen Elizabeth I as seen through the musical highlights of Donizetti’s Tudor tetralogy, is currently preparing for the Rossini Opera Festival in Pesaro, in which she will play the role of Arsace in “Aureliano {…}
Christina Scheppelmann will assume the position of General Director at La Monnaie/De Munt in Brussels, Belgium, following the completion of her five-year contract with Seattle Opera. Scheppelmann, the fourth General Director of Seattle Opera, will conclude her tenure after the 2023-24 season. During her leadership, the company achieved significant milestones, including the world premiere of “A Thousand Splendid Suns,” the {…}
La Monnaie / De Munt is set to present Shostakovich’s “The Nose” starting this June 20, 2023. The opera will be conducted by Gergely Madaras in his company debut. The new production, which originated at The Royal Danish Theatre in Copenhagen, will be directed by Àlex Ollé and La Fura dels Baus. It will star Scott Hendricks, Nicky Spence, Alexander {…}
La Monnaie / de Munt is set to present Camille Saint-Saëns’ “Henry VIII” starting on May 11, 2023. Alain Altinoglu conducts a cast starring Lionel Lhote, Ed Lyon, Vincent Le Texier, Enguerrand De Hys, Werner Van Mechelen, Jérôme Varnier, Marie-Adeline Henry, Nora Gubisch, and Claire Antoine, among many others. The production, which is directed by Olivier Py, was originally set {…}
La Monnaie which bathes the façade of the Mint in blue and yellow each night recently projected the image of the bombed-out Mariupol Theatre, showing the destruction the war has wrought on Ukraine’s civil, religious, and cultural institutions. The theater was destroyed on March 22, 2022. Hundreds of people who sought shelter were inside the building when it was destroyed. {…}
La Monnaie is set to present “Bastarda,” the story of Elizabeth 1, and the intriguing and extraordinary story of the queen and of the child she once was. The piece is a reworking of the opera canon featuring musical moments from Gaetano Donizetti’s Tudor tetralogy (“Anna Bolena,” “Elisabetta al Castello di Kenilworth,” “Maria Stuarda” and “Roberto Devereux”). Francesco Lanzillotta and {…}