(Credit: Ludwig Olah) Medici.TV is set to present Wagner’s “Tristan und Isolde” from the Semperoper Dresden. The opera will be streamed on Feb. 17, 2024, and will star tenor Klaus Florian Vogt and soprano Camilla Nylund. Audiences will also get to experience the work of Georg Zeppenfeld, Martin Gantner, Tanja Ariane Baumgartner, Sebastian Wartig, Attilio Glaser, and Lawson Anderson. Alexander Bülow directed the production, which {…}
Welcome back for this week’s look at the latest CD and DVD releases in the opera world. This week audiences will experience albums from some of the top divas in the opera world as well as Christmas albums that will be great for the holiday season. Essence Marina Rebeka releases a new album on Prima Classic. The soprano sings a selection {…}
The Opéra de Paris has announced a cast change for its performance of “Lohengrin” on Oct. 11, 2023. The company said, “Piotr Beczala, unwell, has withdrawn from the performance of ‘Lohengrin.’ As a result, the title role will be performed by Klaus Florian Vogt.” Beczala also took to social media and said, “Dear friends, with regret, I must inform you {…}
(Photo: © Enrico Nawrath) As the final cycle of Bayreuth’s 2023 “Ring des Nibelungen” came to a close, the air remained electric with the sounds of Wagner’s apocalyptic horns and the swirling raptures of the Rhine. Camps came away divided into those either outraged or captivated by director Valentin Schwarz‘s reinvention of the Walsung’s messy journey into oblivion. To be {…}
The Bayreuth Festival has announced its 2024 season. The festival will open with Wagner’s “Tristan und Isolde” starring Andreas Schager, Günther Groissböck, Camilla Nylund, Olafur Sigurdarson, Birger Radde, and Ekaterina Gubanova. Semyon Bychkov conducts the production by Thorleifur Örn Arnarsson. Performance Dates: July 25-August 26 2024 Günther Groissböck, Klaus Florian Vogt, Markus Eiche, Olafur Sigurdarson, Jens-Erik Aasbø, and Elisabeth Teige {…}
(Photo credit: © Enrico Nawrath) Nathalie Stutzman debuted at Bayreuth this season with the festival’s production of “Tannhäuser.” She emerged triumphantly from the mystical abyss of the Bayreuth orchestra pit, where the conductor and the orchestra are hidden from the public. This unique orchestra space was designed as per Wagner’s specifications, who had been striving to create an immersive experience {…}
The Bayreuth Festival has announced upcoming productions for 2024 and 2025. The company announced that in 2025 it will present Matthias Davids’ new production of “Die Meistersinger von Nürnberg” under Daniele Gatti. Georg Zeppenfeld will sing the title role with Michael Spyres as Walter von Stolzing. Tobias Kratzers directs “Tannhäuser” in 2024 under music director Nathalie Stutzmann, while “Tristan und {…}
The Staatstheater Wiesbaden has announced its 2023-24 season featuring premieres, revivals, and recitals. Premieres Wagner’s “Lohengrin” will be conducted by Michael Güttler and directed by Henriette Hörnigk. The cast will be led by Mirko Roschkowski, Marco Jentzsch, Klaus Florian Vogt, Heather Engebretson, Khatuna Mikaberidze, KS Thomas de Vries, Egils Silins, Young Doo Park, and Timo Riihonen. Performance Dates: Sept. 16, 2023-May {…}
The Semperoper Dresden has announced its 2023-24 season. Here is a look at the operatic productions of the season. Premieres Puccini’s “Turandot” is set to star Elisabeth Teige, Aleksei Kulagin, Yonghoon Lee, and Elbenita Kajtazi. Ivan Repušić conducts the new production by Marie-Eve Signeyrole. Performance Dates: Oct. 7-Nov. 25, 2023 Mary Plazas, Katerina von Bennigsen, Peter Tantsits, and Andrew Nolen {…}
The Opernhaus Zürich has announced its 2023-24 season featuring more than 20 productions, concerts, and reictals. Ermonela Jaho stars in Puccini’s “La Rondine” with Sandra Hamaoui, Benjamin Bernheim, Juan Francisco Gatell, and Vladimir Stoyanov. Marco Armiliato conducts the production by Christof Loy. Performance Dates: Sept. 17-Oct. 28, 2023 Nahuel Di Pierro, Olga Peretyatko, Renato Girolami, Alasdair Kent, Pietro Spagnoli, and {…}
(Credit: Enrico Nawrath) Following a truly disappointing “Das Rheingold,” the August 11 “Die Walküre” proved the polar opposite. Schwarz’s realistic human approach seemed a little bit more appropriate in this title where human characters appeared for the first time (all characters from the previous opera are mythological). The Austrian director knew how to develop the feelings of the characters and {…}