(© Richard Hubert Smith) Ethel Smyth’s opera “The Wreckers” opened the Glyndebourne Festival Opera last weekend, receiving its first-ever performance in the original French – libretto by Henry Brewster – and with many savage cuts restored. Its journey has been a long one: Smyth was repeatedly thwarted by war, misogynistic attitudes, musical conservatism, and meddling conductors. For some context – {…}
(Credit: © Klaus Frahm) The Deutsche Oper Berlin has announced that Scottish mezzo-soprano Beth Taylor will take over the role of Erda in Wagner’s “Das Rheingold” for the performance on Jan. 4, 2022, replacing Judit Kutasi. Taylor joins a cast that includes Derek Welton, Joel Allison, Attilio Glaser, Thomas Blondelle, Markus Brück, Ya-Chung Huang, Andrew Harris, Tobias Kehrer, Annika Schlicht, {…}
(Credits: Bettina Stöß / Bernd Uhlig) The Deutsche Oper Berlin has announced all the premieres of its 2021-22 season. Here is a look. The “Best of Carmen” concert will spotlight Valeriia Savinskaia, Arianna Manganello, Elena Tsallagova, Matthew Newlin, Joel Allison, and Ève-Maud Hubeaux in the title role. Daniel Carter conducts a production by Silke Sense. Performance dates: Aug. 21 – {…}
(Credits: Dario Acosta / Opéra National de Paris official website / Fay Fox) The Deutsche Oper Berlin has announced that it will reopen its doors to the audiences in June 2021, after seven month-long hiatus. Per the official press release, the reopening is epidemiologically possible as the seven-day COVID-19 incidence in Berlin has gone below the critical value of 100. {…}
(Credit: Deutsche Oper Berlin / Simon Pauly) Deutsche Oper Berlin has announced that it will live stream Zandonai’s opera “Francesca da Rimini” on March 14. The opera house hoped that it would be allowed to present the opera for live audiences, but the German federal government is preparing to extend the majority of lockdown measures until March 28, 2021. The {…}
(Credits: © Sasha Arutyunova / Ashley Plante / ARSIS Artists official website / Jonathan Tetelman official website) The Deutsche Oper Berlin has announced plans for the rest of the 2020-21 season. Berlin’s largest opera house has been quite cautious in the face of the COVID-19 pandemic and has only published the monthly schedule. The Deutsche Oper Berlin will reopen its {…}
(Credits: Michael Cooper / ©Neda Navaee / Ray Burmiston/Decca Classics / Kristen Hoebermann / Clémentine Margaine official website / Algirdas Bakas) Deutsche Oper Berlin has announced its November and December 2020 schedule, which will spotlight a number of international opera stars. Here is the full slate. Rossini’s “Il Barbiere di Siviglia” will feature Philippe Talbot, Noel Bouley, Aigul Akhmetshina, Thomas {…}
(Credits: Kristen Hoebermann / ©Neda Navaee / Ray Burmiston/Decca Classics/ Deutsche Oper Berlin official website / Annika Schlicht official website) In times of massive uncertainty and heightened risks, the Deutsche Oper Berlin is taking on the gargantuan effort of staging the second opera of the cycle, “Die Walküre,” directed by Stefan Herheim. Herheim’s production of the iconic Wagner’s opera is {…}
(Credit: Deutsche Oper Berlin official website) Deutsche Oper Berlin has announced that bass Andrew Harris will take over the role of Hunding in the upcoming performances of Wagner’s “Die Walküre,” replacing Tobias Kehrer. Harris has performed the roles of Don Basilio in Rossini’s “Il Barbiere di Siviglia,” Sparafucile in Verdi’s “Rigoletto,” Masetto in Mozart’s “Don Giovanni,” and Stefano Colonna in {…}
(Credits: Peter Knutson / Vicor Santiago / Andrey Uspensky) The Deutsche Oper Berlin has announced changes to its October 2020 schedule. The performances of Mozart’s “Die Zauberflöte” slated for October 2, 2020; “Così fan tutte” scheduled for October 20 & 25, 2020; Verdi’s “La Traviata” scheduled for Oct. 10, 2020; Bizet’s “Carmen” slated for Oct. 16, 21 & 24, 2020; {…}
(Credit: Deutsche Oper Berlin/Bettina Stöß) Based on a comedy by William Shakespeare, Britten and Pears’ “A Midsummer Night’s Dream” had its world premiere at the Aldeburgh Festival on June 11, 1960, with the composer conducting. Britten and Pears tried to bring Shakespeare’s magical world onstage both as a play and as a vocal piece. Alas, the opera has since struggled {…}