(Credit: Gerhard Ringhofer) Günther Groissböck has confirmed a new production of Verdi’s “Don Carlo” at the Metropolitan Opera. In a recent interview with Online Merker, the bass confirmed that he will sing the role of King Philip in a new interpretation of the famed Verdi work in 2022. Moreover, he revealed that he will first sing the French version of {…}
This weekend we look at a number of classic operas in some of the world’s most notable production houses, as well as one of the great festivals in the world. Rusalka – Theater an der Wien, Austria Maria Bengtsson stars in Dvořák’s masterpiece in a new production by Amélie Niermeyer. The soprano starts alongside Ladislav Elgr as the Prince, Günther {…}
Wagner’s “Die Walküre” is set to appear on Great Performances at the Met on August 12 at 12 p.m. The opera will feature Robert LePage’s famed production with Christine Goerke, Greer Grimsley, Stuart Skelton, Jamie Barton, Eva-Maria Wesbroek, and Günther Groissböck among the cast members. Philippe Jordan conducts the second installment in Wagner’s famed tetralogy. Of the opera’s opening performance, {…}
(Credit: Teatro alla Scala/Bayerische Staatsoper) For this weekend’s top choices we take you to Brazil, Finland, Germany, and Italy where you can potentially experience works by Gounod, Verdi, Smetana, and Puccini. If you get a chance to see these performance, don’t think twice about it. Faust – Theatro Municipal do Rio de Janeiro, Brazil Atalla Ayan takes on the title {…}
The White Lights Festival has announced its 2019 festival featuring numerous experimental works and a number of operatic and vocal evenings. For this article, we will only announce vocal events. “En Masse,” a work created by Yaron Lifschitz with the Circa Ensemble, is set to feature selections by Swedish composer Klara Lewis interspersed with selections from Schubert’s “Winterreise” and “Schwanengesang.” Performance {…}
The Opera National du Rhin has announced its 2019-20 season featuring a number of new productions and world premieres. Giuliano Carella conducts the opening night gala with soloists Olivier Breitman, Ambroisine Bré, Pumeza Matshikiza, and Ezgi Kutlu. Performance Dates: Sept. 25-28, 2019 Philip Venable’s “4.48 Psychosis” gets its first production by Ted Huffman, who directed the work at the Royal Opera {…}
Musikverein Wien has announced its 2019-20 season. For the purposes of this article, we will focus on vocal performances. Martin Haselböck will lead the Orchester Wiener Akademie in a performance of various works by Franz Schubert as well as Antonín Dvořák’s Symphony No. 4 in D Minor. Baritone Thomas Hampson will be featured. Performance Date: Oct. 13, 2019 Bass Günther Groissböck and {…}
The Teatro Real has announced its 2019-20 season featuring seven Teatro Real premieres and three Spanish premieres. Here is a look at what to expect. The season opens with Verdi’s “Don Carlo“ with Nicola Luisotti conducting a production by David McVicar. The opera returns after a 14 year absence with Francesco Meli, Andrea Carè, and Alfred Kim sharing the title {…}
The Theater an der Wien has announced its 2019-20 season featuring numerous rarely performed works, concert operas and a number of new productions. Opera Productions David Afkham conducts Amélie Niermeyer’s new production of Dvorak’s “Rusalka.” Maria Bengtsson sings the title role alongside Ladislav Elgr, Günther Groissböck, Natascha Petrinsky, and Kate Aldrich. Performance Dates: Sept. 19 – 30, 2019 Stefan Gottfried conducts Sam Brown’s production of Mozart’s {…}
The Boston Symphony Orchestra has announced its 2019-20 season featuring a number of choral pieces, operatic performances and great singers. For this article we are only putting emphasis on the choral and vocal performances. Andris Nelsons conducts the opening night performance of in a program that includes Poulenc’s Concerto in D minor for two pianos and orchestra, Beethoven’s Fantasy in C {…}
Wagner’s “Die Walküre” took center-stage at the Metropolitan Opera on Monday, March 25, 2019 to what is likely to have been the most enthusiastic audience of the season. After every act, the artists were showered with tremendous ovations, each more effusive than the last. It was emblematic of an evening that just seemed to grow in stature as the night {…}