The Gran Teatre del Liceu has announced its 2020-21 season featuring multiple productions, concert operas, and stars. Opera The season opens with Verdi’s “Il Trovatore” starring Anna Netrebko, Yusif Eyvazov, Ludovic Tézier, Okka von der Damerau, and Dmitry Belosselskiy. Performance Dates: Oct. 1 & 4, 2020 Christof Loy directs Mozart’s “Don Giovanni” with Christopher Maltman in the title role and {…}
(Credit: Gregor Hohenberg / Marius Baragan / Pavel Vaan & Leonid Semenyuk) The Vienna State Opera has announced its streaming slate for the month of June. Here is a rundown of the opera performances audiences can check on the company’s official website. June 1 – Die Frau Ohne Schatten Performance of Oct. 18, 2019 starring Stephen Gould, Camilla Nylund, Mihoko {…}
(Credit: Marty Sohl) The Metropolitan Opera has unveiled the fourth week of its Nightly streams schedule. The week kicks is more in keeping with the first and third weeks, which featured a wide range of standard repertory; week two was dedicated to the works of Richard Wagner. Here is the full schedule. Learn more metopera.org/user-information/nightly-met-opera-streams/. Monday, April 6 – Verdi’s “Aida” {…}
(Credit: Pictures courtesy of the Lyric Opera of Chicago) The Lyric Opera of Chicago’s has announced its 2020-21 season celebrating its 66th season. The season will include three Lyric premieres, two Lyric Original productions, nine operas, three concert events and one musical. Main Stage The first production of the season will be the famed double bill of Mascagni’s “Cavalleria Rusticana” {…}
(Credit: Javier del Real) The Teatro Real opened its season on the Sept. 18, 2019 with Verdi’s “Don Carlo,” an opera inspired in the old monarchy of Spain. Present at the big event were the King and Queen of Spain, as well as famous figures from the world of politics and arts. “Don Carlo” is a massive endeavor for any {…}
(Credit: Baus-La Monnaie /Catherine Ashmore- Royal Opera House/Javier del Rey-Teatro Real) This weekend will feature two productions of the epic “Don Carlo” in two different versions, a world premiere, a soprano taking on four roles in one opera, a Janacek work, and a star couple in one of Massenet’s greatest works. Here is what we recommend for the weekend. Macbeth {…}
The Orchestra and Chorus of the Accademia di Santa Cecilia has announced its 2019-20 season featuring some of the world’s most renowned soloists. For this article we will only focus on the concert featuring vocal performances. The season opens with Antonio Pappano conducting Javier Camarena in Berlioz’s Requiem “Grande Messe des morts.” Performance Dates: Oct. 10-12, 2019 Mikko Franck conducts Verdi’s Messa da Requiem {…}
Oper Frankfurt’s new season is massive. It is loaded up with over a dozen new productions and even more revivals. Premieres Damiano Michieletto directs a new production of Rossini’s “Otello” starring Enea Scala in the title role, Karolina Makuła as Desdemona, Theo Lebow as Iago, and Jack Swanson as Rodrigo. Sesto Quatrini conducts. Performance Dates: Sept. 8-Oct. 20, 2019 Asmik Grigorian sings {…}
On April 12, 2019, the Metropolitan Opera resumed it season’s run of Mozart’s “Don Giovanni.” Occupying a rather unique space as a dramma giocoso, the work unfolds the allegorical message through often-comedic methods. The cast and crew of Friday’s performance strongly favored these comedic elements, much to the delight of the audience. Michael Grandage’s production highlights the universal nature of {…}
Verdi’s “Aida” is the quintessential opera in so many ways. It features a larger than life story in an exotic world alongside some of the greatest music ever written. In a house like the Met Opera, this work is also featured in an impressive and immersive set tailored to bringing us to some version of Ancient Egypt. This current production {…}
Verdi made two distinct versions of “Don Carlos” plus a number of smaller-scale revisions. The original 1866 version written in French, was altered before its premiere, mainly for logistical reasons, as it was considered to be too long. The Italian version, written in 1884, with its Italian title “Don Carlo” contained extensive changes, most notably its reduction from five to {…}