The Salzburg Festival’s upcoming production of Shostakovich’s “Lady Macbeth of Mtsenk” is getting some cast changes. Italian bass Ferruccio Furlanetto has stepped out of the upcoming production in the role of Boris Ismailov, stating that the role is not for him. As a result, Dmitry Ulyanov will replace him. The opera is also getting a new tenor as Russian tenor {…}
This Sunday, the Metropolitan Opera’s recent production of “Rusalka” will hit TVs around the country as part of PBS’s Great Performances series. The performance will air on June 18 at 12 p.m. EDT. The opera stars Kristine Opolais in the title role, Jamie Barton as the witch Jezibaba, Eric Owens as the Water Sprite, and Brandon Jovanovich as the Prince. The {…}
The weekend will bring a wide variety of repertoire from rare Wagner and Rodgers and Hammerstein to Mozart and Rimsky-Korsakov. And as always the biggest stars including Sonya Yoncheva, Ailyn Pérez, Kate Lindsey, Aida Garifullina and Nadine Sierra will be on stage performing signature roles. Argentina Wagner’s “Das Liebesverbot” takes center stage at the Teatro Colón. The opera will see Lise {…}
Another weekend, more opera performances around the world. Here are the big highlights. Austria The weekend kicks off at the Vienna state Opera with Janacek’s “Katya Kabanova” starring Dan Paul Dumitrescu, Misha Didyk, Jane Henschel, Leonardo Navarro and Angela Denoke. It will be followed by Shostakovich’s “Lady Macbeth of Mtsenk” with Wolfgang Bankl, Eva-Maria Westbroek and Brandon Jovanovich. The weekend concludes {…}
A plethora of stars will converge on Zürich’s 2017-18 season. Here is a look at the ones that we expect to shine the brightest and recommend you do your utmost to go watch. Karita Mattila – ‘The Rise and Fall of Mahogany’ Anytime an audience member has a chance to see the legendary Finnish soprano, it is advisable that he {…}
We acknowledge that OperaWire is late to the “Rusalka” party, but here is our review for the performance on Feb. 17, 2017, the fifth performance of this run. Antonín Dvorák’s “Rusalka” is the epitome of a metaphorical operatic identity crisis. The opera, which is a grim version of Hans Christian Andersen’s “The Little Mermaid,” follows the story of a water {…}
Dvorak’s “Rusalka” makes a much-anticipated return to the Metropolitan Opera this Thursday, Feb. 2 in a brand-new production by noted director Mary Zimmerman. The Director Zimmerman made a splash at the Met with her work on three operas from the Bel Canto three – Donizetti, Rossini and Bellini. Her work in “Lucia di Lammermoor” was universally hailed for gothic style. Her {…}