“Opera Meets Film is a feature dedicated to exploring the way that opera has been employed in cinema. We will hone in on a selection or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perceptions of a film that we are viewing. This week’s installment features Akira Kurosawa’s {…}
Russian tenor Dmitry Korchak’s second solo album for Decca, a compilation of romantic French arias, provides an insightful interpretation of French style, dazzling high notes ,and impressive piannismi and diminuedo phrasing. The album presents, with the exception of the less popular Bizet’s aria “À la voix d’un amant fidele,” a selection of the most renowned lyrical and romantic French arias. {…}
(Credit: Monika Ritterhaus) Audience members were already en route to Unter den Linden when the news began to spread on social media: the evening’s performance of “Carmen,” the second in a much-anticipated run of performances, would be the final night of Berlin opera before the city’s concert halls and opera houses were forced to close their doors for at least {…}
MasterVoices is set to present a concert staging of the original version of Bizet’s “Carmen” on April 2, 2020 at the Rose Theater at Hazz at Lincoln Center. The opera, which was written by Halévy and Meilhac, will star Peabody Southwell as Carmen with tenor Noah Stewart as Don José and Nicole Cabell as Micaëla. Steven LaBrie stars as Escamillo. {…}
(Credit: Paula Malone) In 1856, the 18-year-old Georges Bizet won joint first prize in a competition for an opéra comique to be played at Offenbach’s theatre, the Bouffes-Parisienes, with a one act operetta, “Doctor Miracle.” The work was premiered in 1857, received 11 performances, and was then forgotten until it was revived in 1951. Lasting around one hour, with a {…}
If stuffy audiences at the Opéra-Comique first attacked George Bizet’s “Carmen” for its offensive content, today the opera runs the risk of seeming antiquated. Much of the music might get your toes tapping, but over-exposure risks making the most popular tunes seem trite or even parodic. Today’s audiences might not appreciate the orientalist take on Spanish culture that was so {…}
Opera composers are among the most admired artists of all time. All of them had unique personalities and letters and quotes gathered throughout the years have illuminated us about who they were and how they thoughts. So for this week’s quiz we will take a look at some of the iconic quotes from some of those great composers. Some quotes {…}
(Photo credit: Khalid AlBusaidi / ROHM) This review is for performances on Sept. 11 and 14, 2019. Writing a review after an initial performance of any run is a challenging proposition. You are essentially recording your views on a first impression without really getting a chance to see the full picture. There are many reasons why this is the case, {…}
Every year, the Glow Lyric Theatre does something that few other opera or musical theatres companies are willing to do – embrace the distinct art forms as siblings and celebrate their unique differences and similarities. For several years the company has put on three shows in its summer season: an opera, an operetta, and a piece of musical theatre. But {…}
Mercury Opera is set to showcase Bizet’s “Carmen” in five different locations across Alberta, Canada this August. The opera will star Puerto Rican mezzo Laura Virella with Boris Derow and Jeffrey Strand alternating as Don José and El Dancairo. Jorge Luis Trabanco will be Escamillo. Other cast members include Elise Noyes, Dacia Gramlick, Sandra Flores Strand, Martin Galba, Alia Amad, {…}
(Credit: James Bellorini Photography) Over 1,000 students appeared in the largest staging of Bizet’s “Carmen” in the United Kingdom. The showcase, which took place on June 26, 2019, brought together 35 schools nationwide at the Copper Box Arena in London’s Olympic Park. The performance was staged and directed by the English Pocket Opera and featured four professional singers and a {…}