Erin Morley & Christopher Maltman Lead Berlin State Opera’s Revival of ‘Rigoletto’

(Credit: Brinkhoff/Mögenburg) The Berlin State Opera is set to revive Bartlett Sher’s production of Verdi’s “Rigoletto.” The production, which premiered in 2019, will star Christopher Maltman who reprises the title role, Erin Morley as Gilda, and Saimir Pirgu as the Duke of Mantua. Grigory Shkarupa and Marina Prudenskaya round out the cast as Sparafucile and Maddalena. Ivan Repušić conducts. When {…}

Anna Lapkovskaja Replaces Elīna Garanča in ‘Samson et Dalila’ at Staatsoper Berlin

(Credit: Achim Graf) The Staatsoper Unter den Linden has announced that mezzo-soprano Elīna Garanča will not be appearing in the title role of Camille Saint-Saëns’ opera “Samson et Dalila” for the entire run ending Dec. 19, 2021. The mezzo-soprano already missed the opening night performance on Dec. 5 and was replaced by mezzo-soprano Anna Lapkovskaja. Lapkovskaja will now take over {…}

Sonya Yoncheva’s Recital at Staatsoper Berlin Postponed

(Credit: Victor Santiago) The Staatsoper Unter den Linden has announced that the Liederabend with soprano Sonya Yoncheva has been postponed for the 2022-23 season. Yoncheva was slated to sing music by Henri Duparc, Pauline Viardot-García, Ernest Chausson, Gaetano Donizetti, Léo Delibes, Giacomo Puccini, Giuseppe Martucci, Paolo Tosti und Giuseppe Verdi alongside pianist Malcolm Martineau. The soprano is scheduled to return {…}

Q & A: Katarina Bradić & Nenad Jović on Getting Back to The Stage, Serbian Origins and COVID-19

(Credits: Dragana Branković/Katarina Bradić) Known for her deep and diverse vocal versatility and also theatrical prowess, Katarina Bradić swiftly conquered the major European opera stages—Teatro Real, Deutsche Oper Berlin, Staatsoper unter der Linden, Komische Oper Berlin, Theater Basel, Bolshoi Theater, Theater an der Wien, Den Norske Opera, Opernhaus Zürich, Deutsche Oper am Rhein, Bayerische Staatsoper, La Monnaie, De Nationale Opera {…}

Staatsoper Berlin 2019-20 Review: Rigoletto

(Credit: Brinkhoff/Mogenburg) Bartlett Sher’s “Rigoletto,” new this year at the Staatsoper Berlin, initially appeared an intriguingly localized production. Though a co-production with the Metropolitan Opera, its context and setting were uniquely Berlin. The opera’s action has been relocated to Weimar-era Germany, and the stage was dominated by the paintings of the Berlin-born painter George Grosz. The audience, as they filed {…}