(© Enrico Nawrath) First seen on the Green Hill in 2023, the director of “Parsifal,” 55-year-old Jay Scheib, professor of music and theatre arts at the Massachusetts Institute of Technology and an American of international standing in the hi-tech world, is a technological wizard like no other! A couple of his credits include Thomas Adès’ “Powder Her Face” (New York {…}
The Bayreuth Festival has announced its 2026 season. Nathalie Stutzmann conducts “Rienzi” with Andreas Schager, Gabriela Scherer, Jennifer Holloway, Michael Nagy, and Matthias Stier. Magdolna Parditka and Alexandra Szemeredy direct the rarely performed work. Performance Dates: July 26-August 26, 2026 Christian Thielemann will conduct The Ring Cycle, which Marcus Lobbes will curate. Michael Volle, Alexander Grassauer, Klaus Florian Vogt, Anna Kissjudit, Evelin Novak, Christa {…}
Welcome back to another look at the latest CD and DVD releases of the week. This week, audiences will get to hear Jonas Kaufmann’s complete Decca catalog, a new “Tristan und Isolde”, and a Mozart CD. SO SMOOTH, SO SWEET Parma Recording releases a collection of vocal works from Harvard University composer Allen Sapp spanning from his early compositions in {…}
Andreas Schager has been named Kammersänger of the Wiener Staatsoper. The company announced the news via social media and said, “Yesterday, the Austrian heldentenor was awarded the Austrian professional title ‘Kammersänger.’ Currently, he is in the Ring Cycle at the Wiener Staatsoper, as Siegmund and Siegfried.” Schager is one of the leading Wagnerian tenors in the world who has performed {…}
The Royal Opera House has announced its cinema season for the 2025-26 season. Here are the opera offerings: The cinema season opens with Puccini’s “Tosca” starring Anna Netrebko, Freddie de Tommaso, and Gerald Finley. Jakub Hrůša conducts the new production by Oliver Mears. Cinema Date: Oct. 1 & 5, 2025 Antonello Manacorda conducts Verdi’s “La Traviata” and will star Ermonela {…}
The Opéra National de Paris has announced its 2025-26 season. The season opens with Puccini’s “La Bohème,” featuring Nicole Car, Yaritza Véliz, Charles Castronovo, Joshua Guerrero, Andrea Carroll, Étienne Dupuis, Xiaomeng Zhang, and Alexandros Stavrakakis. Domingo Hindoyan conducts. Performance Dates: Sept. 12-Oct. 14, 2025 Cecilia Molinari leads Handel’s “Ariodante” alongside Luca Tittoto, Jacquelyn Stucker, Sabine Devieilhe, Rupert Charlesworth, Christophe Dumaux, {…}
(Photo: OMC Marco Borrelli) On Sunday March 2nd, 2025, the Opéra de Monte-Carlo and the Orchestre Philharmonique de Monte-Carlo presented a concert performance of Act two of Wagner’s “Tristan und Isolde.” The concert was billed as a prelude to the annual music festival Le Printemps des Arts de Monte-Carlo, which will open on March 12th. The evening began with the {…}
(Photo credit: ©EnricoNawrath) In preparation for the new “Parsifal” at Bayreuth last year, one may have harbored preconceived doubts as to the very idea regarding the use of Augmented Reality eyeglasses. After attending this year’s performances, the doubts lingered; and although this production may not be considered a negative adventure per se, one may not view this experiment as a {…}
The Bayreuth Festival has announced a cast change for its production of “Parsifal” on August 7, 2024. In a statement, Andreas Schager said, “My dear friends, Unfortunately, due to an infection, I have to cancel tonight’s performance of ‘Parsifal.’ I would like to sincerely apologize to anyone who bought tickets for this because of me. This inflammation also made me {…}
Welcome back for this week’s look at the latest CD and DVD releases in the opera world. This week audiences will get to hear two high anticipated album debuts by two celebrated performers. There are also reissues and the completion of an acclaimed Ring Cycle. O Sole Mio – Reissue Decca Classics reissues Luciano Pavarotti’s classic album. The album showcases {…}
There is something to be said about the proverbial aura of live performances, especially in the case of “Parsifal” and recordings from its native Bayreuth. The pleasure is double – cynics might argue – in the absence of visual extravagance, incl. kinky stage designs and the intrusion of AR into the scenography. Thankfully, Deutsche Grammophon does not impose the latter; {…}