The Royal Opera House has announced its cinema season for the 2025-26 season. Here are the opera offerings: The cinema season opens with Puccini’s “Tosca” starring Anna Netrebko, Freddie de Tommaso, and Gerald Finley. Jakub Hrůša conducts the new production by Oliver Mears. Cinema Date: Oct. 1 & 5, 2025 Antonello Manacorda conducts Verdi’s “La Traviata” and will star Ermonela {…}
The Opéra National de Paris has announced its 2025-26 season. The season opens with Puccini’s “La Bohème,” featuring Nicole Car, Yaritza Véliz, Charles Castronovo, Joshua Guerrero, Andrea Carroll, Étienne Dupuis, Xiaomeng Zhang, and Alexandros Stavrakakis. Domingo Hindoyan conducts. Performance Dates: Sept. 12-Oct. 14, 2025 Cecilia Molinari leads Handel’s “Ariodante” alongside Luca Tittoto, Jacquelyn Stucker, Sabine Devieilhe, Rupert Charlesworth, Christophe Dumaux, {…}
(Photo: OMC Marco Borrelli) On Sunday March 2nd, 2025, the Opéra de Monte-Carlo and the Orchestre Philharmonique de Monte-Carlo presented a concert performance of Act two of Wagner’s “Tristan und Isolde.” The concert was billed as a prelude to the annual music festival Le Printemps des Arts de Monte-Carlo, which will open on March 12th. The evening began with the {…}
(Photo credit: ©EnricoNawrath) In preparation for the new “Parsifal” at Bayreuth last year, one may have harbored preconceived doubts as to the very idea regarding the use of Augmented Reality eyeglasses. After attending this year’s performances, the doubts lingered; and although this production may not be considered a negative adventure per se, one may not view this experiment as a {…}
The Bayreuth Festival has announced a cast change for its production of “Parsifal” on August 7, 2024. In a statement, Andreas Schager said, “My dear friends, Unfortunately, due to an infection, I have to cancel tonight’s performance of ‘Parsifal.’ I would like to sincerely apologize to anyone who bought tickets for this because of me. This inflammation also made me {…}
Welcome back for this week’s look at the latest CD and DVD releases in the opera world. This week audiences will get to hear two high anticipated album debuts by two celebrated performers. There are also reissues and the completion of an acclaimed Ring Cycle. O Sole Mio – Reissue Decca Classics reissues Luciano Pavarotti’s classic album. The album showcases {…}
There is something to be said about the proverbial aura of live performances, especially in the case of “Parsifal” and recordings from its native Bayreuth. The pleasure is double – cynics might argue – in the absence of visual extravagance, incl. kinky stage designs and the intrusion of AR into the scenography. Thankfully, Deutsche Grammophon does not impose the latter; {…}
Deutsche Grammophon’s Stage + is set to present Wagner’s “Tristan und Isolde” from the Bayreuth Festival. The stream will continue the partnership between Deutsche Grammophon and the Bayreuth Festival and showcase a new production by Thorleifur Örn Arnarsson. Semyon Bychkov conducts a cast that includes Andreas Schager, Günther Groissböck, Camilla Nylund, Olafur Sigurdarson, Birger Radde, Ekaterina Gubanova, Daniel Jenz, Lawson Anderson, and Matthew Newlin. The opera will be {…}
(Credit; Evan Zimmerman) “No Opera on a Dead Planet.” In the middle of Act two of the opening night of “Tannhäuser” as Wolfram delivered his “Blick ich umher in diesem edlen Kreise,” specifically as he sang that “love is a spring to be drunk from,” an audience member started shouting from the rafters of the Met Opera auditorium. The first {…}
Wagner’s “Tannhäuser” returns to the Metropolitan Opera for eight performances. The opera will open on Nov. 30 and will be performed through Dec. 23, 2023 with a cast that includes Austrian tenor Andreas Schager, South African soprano Elza van den Heever as Elisabeth, and Russian mezzo-soprano Ekaterina Gubanova as Venus. The cast will be rounded out by German baritone Christian Gerhaher {…}
(Photo: © Enrico Nawrath) As the final cycle of Bayreuth’s 2023 “Ring des Nibelungen” came to a close, the air remained electric with the sounds of Wagner’s apocalyptic horns and the swirling raptures of the Rhine. Camps came away divided into those either outraged or captivated by director Valentin Schwarz‘s reinvention of the Walsung’s messy journey into oblivion. To be {…}
