
Royal Opera House 2018-19 Review: Káťa Kabanová
Set in a provincial Russian town close by the Volga River, the basis for Janáček’s “Káťa Kabanová” – Alexander Ostrovsky’s play “The Storm” – invites the color palette of a murky staging; a cerulean hue or olive green to mirror the portentous themes that percolate the sometimes dissonant, sometimes harmonious and sinuously changing score. Unlike many opera settings, the visual {…}









