175 search results for…

Reviews, Stage Reviews

Wexford Festival Opera 2025-26 Review: Der Zwerg

https://operawire.com/wexford-festival-opera-2025-26-review-der-zwerg/

(Photo: Padraig Grant) As well as its featured operas, the Wexford Opera Festival also puts on an array of other events, including performances of its “pocket operas,” that is, short works or abridged versions of larger works, sung to a piano accompaniment, presented in the smaller Jerome Hynes Theatre, rather than on the theatre’s main stage. One of the “pocket {…}

Editorials

Why Opera Is Not Just Heritage – And How to Keep It Alive

https://operawire.com/why-opera-is-not-just-heritage-and-how-to-keep-it-alive/

Institutions often outlive their original purpose. Empires collapse, churches lose congregations, universities change beyond recognition, but the rituals remain, transformed into heritage. The question is whether opera is heading the same way: admired as a monument, but no longer essential. Opera was once the ultimate multimedia art form, fusing poetry, music, theatre, and design. For centuries it stood at the {…}

Reviews, Stage Reviews

Bayreuth Festival 2025 Review: Tristan und Isolde

https://operawire.com/bayreuth-festival-2025-review-tristan-und-isolde/

(Credit: Enrico Nawrath) “They enter into blinding darkness those who worship chaos; into greater darkness still those who delight in shadow.” Upanishad, Verse IX Coming to Wagner’s “Tristan und Isolde” for the first time must always remain a unique, emotional, musical experience. It is an opera of subtle interpretations, not only regarding the music and dramatic action, but perhaps more {…}

Interviews

Q & A: Soprano Larissa Rosanoff, From Financial Analyst to World Traveler to Opera Singer

https://operawire.com/q-a-soprano-larissa-rosanoff-from-financial-analyst-to-world-traveler-to-opera-singer/

(Photo: Philippe Palma) Larissa Rosanoff spent seven years in Moscow studying piano at the Gnesin Academy of Music where she began, at the young age of five, her voyage in music. There she acquired the necessary base for continuing professional studies in Switzerland. The memories of having performed in such prestigious venues as the Tchaikovsky Hall or the Grande Hall {…}

Reviews, Stage Reviews

Innsbruck Early Music Festival 2025 Review: Il Giustino

https://operawire.com/innsbruck-early-music-festival-2025-review-il-giustino/

(Photo: Birgit Gufler) Each year, the Innsbruck Early Music Festival presents its Oper: Jung, an opera performed by singers in the early stages of their careers, who recently made strong impressions at the festival’s Cesti competition. It is an event that rarely disappoints. Not only are the productions of a very high standard, but it is also exciting to watch {…}

Interviews

Q & A: Baritone Marcin Kopec on TACT Artists Management & His New UK Based MKImpresari Agency

https://operawire.com/q-a-baritone-marcin-kopec-on-tact-artists-management-his-new-uk-based-mkimpresari-agency/

(Photo: MKImpresari) Former Baritone Marcin Kopec has had a very successful career as an artist manager. In reality, he’s a mover, shaker, fixer, arranger, organizer, (he likes ‘Impresario’), and frequent savior behind the scenes of some of the most famous names in the business on some of the biggest stages in the world. OperaWire met up with Marcin in Covent {…}

Reviews, Stage Reviews

Bayreuth Festival 2025 Review: Der Ring Des Nibelungen

https://operawire.com/bayreuth-festival-2025-review-der-ring-des-nibelungen/

(Photo Credit: Enrico Nawrath) The power of the music transcends any single interpreter. From the primal opening chord the rising and falling of Richard Wagner’s Gesamtkunstwerk will lead audiences through 17 hours of an ecstatic vision. Amidst such orchestral glory, however, the second cycle of the Bayreuth Festival’s 2025 “Ring” provided plenty of conceptual confusion as Wagner-lovers bid a grateful {…}

Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Siegfried

https://operawire.com/teatro-alla-scala-2025-review-siegfried/

(Photo Credit: Brescia e Amisano ©) This “Siegfried”… a popular musical in myth? Given the audience’s warmly animated reactions, as one witnessed upon attending various performances of its run, it would appear so. The lively, evocative melodic themes in this, the third of four operas of “Der Ring des Nibelungen,” are sustained by all the symbolic ingredients of a fairy {…}

Stage Reviews

Carnegie Hall 2025 Review: Sound Espressivo & Price Attractions Laureate Gala

https://operawire.com/carnegie-hall-2025-review-sound-espressivo-price-attractions-laureate-gala/

(Photo credit: Carnegie Hall) An eclectic program ranging from vocal works and piano performances, to classical guitar pieces, as well as a lively castanet choir was presented by Sound Espressivo and Price Attractions at its 11th Laureate Gala in the Weill Recital Hall at Carnegie Hall on June 30th. Performers represented winners of Sound Espressivo’s 2023-24 Laureate audition competition. The {…}