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Interviews

Q & A: Sondra Radvanovsky on ‘Turandot’ & How Performing Opera Comes From the Soul & Inspires Future Generations

https://operawire.com/q-a-sondra-radvanovsky-on-turandot-how-performing-opera-comes-from-the-soul-inspires-future-generations/

(Photo: © Sondra Radvanovsky press) American and Canadian soprano Sondra Radvanovsky is widely regarded as one of the foremost sopranos of our time. She is renowned as a leading interpreter of bel canto and verismo, particularly works by Giuseppe Verdi, and appears at leading opera houses throughout the world.
Winner of numerous awards, she has been widely recorded on CD and {…}

News

Royal Ballet and Opera Announces Cast Change for ‘Il Trovatore’

https://operawire.com/royal-ballet-and-opera-announces-cast-change-for-il-trovatore/

The Royal Ballet and Opera has announced a cast change for its March 13 performance of “Il Trovatore.” The company said that Marina Rebeka will sing the role of Leonora replacing Rachel Willis- Sørensen, who is ill. Rebeka took to her social media and said, “Dear friends, I am so happy to be back in London. Tomorrow I will be {…}

Reviews, Stage Reviews

Opernhaus Zürich 2024-25 Review: Manon Lescaut

https://operawire.com/opernhaus-zurich-2024-25-review-manon-lescaut/

“Manon Lescaut,” the third opera composed by Giacomo Puccini, marked his first true success, particularly with audiences, though critics raised some mild objections. It is widely regarded as the Maestro’s first mature work, showcasing a distinctive personal style that would continue to evolve in his later compositions. A Troublesome Libretto Based on the 1731 French novel by Abbé Prévost, the {…}

News

Royal Opera House Announces New Cast Change for ‘Faust’

https://operawire.com/royal-opera-house-announces-new-cast-change-for-faust/

The Royal Opera House has announced a new cast change for its production of “Faust.” The company said that Erwin Schrott has withdrawn from the performances of Faust on June 2, 6, and 10 for personal reasons. As a result, the role of Méphistophélès will be performed by Ildebrando D’Arcangelo. However, Schrott will continue to sing the role on May {…}

News

Jean-François Lapointe to Leave Opéra de Québec

https://operawire.com/jean-francois-lapointe-to-leave-opera-de-quebec/

(Credit: © Pol Baril) Jean-François Lapointe is set to leave the Opéra de Québec as General and Artistic Director. According to Opera Magazine, Lapointe will leave on Jan. 31 due to “differences of artistic vision” with the board. Lapointe joined the company during the 2020-21 season succeeding Grégoire Legendre, who retired in December 2020. Lapointe is a baritone who has {…}

Special Features

Best of 2024: OperaWire’s Top 11 Singers of the Year

https://operawire.com/best-of-2024-operawires-top-11-singers-of-the-year/

It is time to wrap up the year and look back at our favorite moments and performers. After releasing our favorite performances of 2024 and showcasing our rising stars of the year, it’s time for OperaWire’s annual tradition of naming our top 11 singers of the year, performers that we thought stood out. Performers who had major breaks, headlined major productions or simply had {…}

Special Features

Best of 2024: OperaWire’s Top Ten Rising Stars 2024

https://operawire.com/best-of-2024-operawires-top-ten-rising-stars-2024/

(Credit: TACT/Askonas Holt/Intermusica/Natalia Jansen) It’s that time of the year. The end of the year. 2024 brought many debuts, many new productions, many competitions, many world premieres and many new young artists who are coming up in the world of opera.  And that it is reason alone to celebrate. As the year comes to an end, here’s a look at {…}

Reviews, Stage Reviews

Wexford Festival Opera 2024 Review: Le Convenienze Ed Inconvenienze Teatrali

https://operawire.com/wexford-festival-opera-2024-review-le-convenienze-ed-inconvenienze-teatrali/

(Photo: Patricio Cassinoni) At his best, Donizetti is a master of the comic opera, with works such as “Don Pasquale” and “L’Elisir d’Amore” still playing to packed houses almost 200 years after their premieres. Others, however, are less well-known; his 1831 one-act farce, “Le Convenienze ed Inconvenienze Teatrali,” being a case in point. Few people will have heard of it, {…}