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Special Features

You Know Rossini and Bellini. What About Carolina Uccelli?

https://operawire.com/you-know-rossini-and-bellini-what-about-carolina-uccelli/

  Ask an opera audience to name composers working in the 1820s and 1830s, and the answers will come readily: Rossini, Bellini, Donizetti, Meyerbeer. Ask the audience to name a woman writing opera in those same decades, and the conversation may become quieter. Carolina Uccelli belongs in that conversation. In 1835, her “Anna di Resburgo” reached the stage in Naples {…}

News, Season Announcement

Opera Naples Reveals 2026-27 Season

https://operawire.com/opera-naples-reveals-2026-27-season/

Opera Naples announces its 2026-27 season. Cast details are yet to be announced. Mainstage Ramón Tebar conducts the Naples Festival Orchestra in Purcell’s “Dido and Aeneas.”  Performance Dates: Jan. 30 & 31, 2027 (First Presbyterian Church of Naples) Opera Naples’ Resident Artist preset “Love Notes: A Valentine’s Concert.” Performance Date: Feb. 14, 2027 (Wang Opera Center) Up next is a {…}

Special Features

While Opera House Goes Dark Independent Festivals Shine in Portugal

https://operawire.com/while-opera-house-goes-dark-independent-festivals-shine-in-portugal/

When Lisbon’s national opera house, the Teatro São Carlos, closed its doors in 2024 for preservation and maintenance of its historic character, along with a much needed modernization of its backstage facilities, the initial announcement suggested a relatively contained closure lasting perhaps a couple of seasons. With the project now expected to extend at least into 2028, the institution has {…}

Behind the Scenes, Interviews

Q & A: Suzanne Nance on Becoming Wexford Festival Opera’s New CEO

https://operawire.com/q-a-suzanne-nance-on-becoming-wexford-festival-operas-new-ceo/

(Photo: AJ Coots) When I was asked to interview Wexford Festival Opera’s new CEO, Suzanne Nance, my thoughts immediately turned to balance sheets, profit forecasts, marketing campaigns, contracts, fundraising and staffing issues. I must admit that it did little to set the pulse racing. However, it turned out be a very different experience than expected. While such issues were touched {…}

News

Salzburg Festival Honors Cecilia Bartoli with Festival Brooch with Rubies at Birthday Gala

https://operawire.com/salzburg-festival-honors-cecilia-bartoli-with-festival-brooch-with-rubies-at-birthday-gala/

(PHoto: Marco Borrelli) The Salzburg Festival celebrated Cecilia Bartoli on August 8 with a surprise during a performance of Rossini’s “Il viaggio a Reims.” During the birthday gala, the Festival Directorate presented the famed mezzo with the Golden Festival Brooch with Rubies, the highest honor the festival bestows. The evening brought together a gathering of such artists as Pretty Yende, {…}

Reviews, Stage Reviews

Bad Wildbad Festival 2026 Review: L’occasione fa il ladro

https://operawire.com/bad-wildbad-festival-2026-review-loccasione-fa-il-ladro/

(Photo: Bad Wildbad Festival) Among Rossini’s early Venetian farse, “L’occasione fa il ladro” remains one of the most irresistibly entertaining. Written when the composer was barely twenty, it already displays the dramatic flair, melodic abundance and astonishing theatrical instinct that would soon make him Europe’s dominant operatic voice. The libretto’s improbable chain of exchanged identities may stretch credulity, but Rossini’s {…}

Business, News

San Francisco Opera Extends General Director Matthew Shilvock’s Contract

https://operawire.com/san-francisco-opera-extends-general-director-matthew-shilvocks-contract/

Matthew Shilvock has extended his contract as General Director of the San Francisco Opera. The Board of Directors of San Francisco Opera approved a new five-year contract extension effective August 1, 2026 and which will see Shilvock lead the company through the 2030–31 season. Board President Jack Calhoun said, “On behalf of the entire board of directors, I am very {…}

Reviews, Stage Reviews

Macerata Opera Festival 2026 Review: Il Barbiere di Siviglia

https://operawire.com/macerata-opera-festival-2026-review-il-barbiere-di-siviglia/

(Photo: MOF) Director Daniele Menghini returned to the Macerata Opera Festival (MOF) for this season’s revival of the 2022 production of Rossini’s “Il Barbiere di Siviglia.” Dedicated to Director Graham Vick, this beloved and contemporary production tells the entertaining story of Italy’s modern man through the perspective of social media’s delusional gaze. Conductor Jacopo Brusa led the FORM-Orchestra Filarmonica Marchigiana, {…}

Interviews, Stage Spotlight

Q & A: Soprano Amy Ní Fhearraigh On Her Rising Profile & Her Role As Cora In The World Premiere Of The Curing Line At The Kilkenny Arts Festival

https://operawire.com/q-a-soprano-amy-ni-fhearraigh-on-her-rising-profile-her-role-as-cora-in-the-world-premiere-of-the-curing-line-at-the-kilkenny-arts-festival/

(Photo: Roberto Santos-Luy) Having just watched the splendid Irish soprano Amy Ní Fhearraigh, one of Ireland’s rising stars, in her role debut as Donna Anna in Blackwater Valley Opera Festival’s production of “Don Giovanni” as well as being scheduled to review her next role as Cora in the world premiere of Michael Gallen’s award-winning new opera “The Curing Line” at {…}