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Reviews, Stage Reviews

Carnegie Hall 2018 Review: Elīna Garanča In Recital

https://operawire.com/carnegie-hall-2018-review-elina-garanca-in-recital/

Mezzo-soprano Elīna Garanča, who recently opened the Metropolitan Opera’s 2018-19 season with her role in Saint-Saens’ “Samson and Delilah” took to Carnegie Hall with pianist Kevin Murphy for an evening of lieder, songs, and arias close to her heart and on the pulse of her prominent artistic career. Featuring the works of Schumann, Wagner, Ravel, and more, the program of {…}

Reviews, Stage Reviews

Christman Opera Company 2018 Review: Adriana McMannes & A Metamorphosis

https://operawire.com/christman-opera-company-2018-review-adriana-mcmannes-a-metamorphosis/

On Sunday, Oct. 14, 2018, the Christman Opera Company put together a double bill of operas by composer Theodore Christman and Anna Winslow. Taking place at the Plácido Domingo Hall at the Opera America Center in midtown New York City, the event had a tremendous amount of intimacy and the proximity to singers only added to this. The stripped down {…}

Reviews, Stage Reviews

New York City Opera 2017-18 Review – Brokeback Mountain: Glenn Seven Allen & Daniel Okulitch Deliver Emotional Performances In Solid, If Not Always, Satisfying, Opera Experience

https://operawire.com/new-york-city-opera-2017-18-review-brokeback-mountain-glenn-seven-allen-daniel-okulitch-deliver-emotional-performances-in-solid-if-not-always-satisfying-opera-experience/

This review is for the performance on June 3, 2018.  It’s quite often that operas, great and otherwise, have been adapted from, what we’d call today, other media. Whether plays or novels, it was standard practice for composers such as Verdi, Puccini and even Wagner to repurpose story and characters for the operatic stage. And there are so many impressive {…}

Reviews, Stage Reviews

New Amsterdam Opera 2017-18 Review – La Favorita: Steven LaBrie & Catherine Martin Give Star-Studded Performances In Donizetti’s Rarely Performed Gem

https://operawire.com/new-amsterdam-opera-2017-18-review-la-favorita-steven-labrie-catherine-martin-give-star-studded-performances-in-donizettis-rarely-performed-gem/

For the past three years, the New Amsterdam Opera has been showcasing emerging opera stars and repertoire staples that are no longer performed as frequently in New York. The company has been consistent thus far in the quality of its performances and on June 2, 2018, it presented Donizetti’s “La Favorita” with two radiant leads that should be on the radar {…}

News

Verdi, Menotti & Gounod To Be Showcased At Calgary Opera’s 2018-19 Season

https://operawire.com/verdi-menotti-gounod-to-be-showcased-at-calgary-operas-2018-19-season/

The Calgary Opera has announced its 2018-19 season showcasing five operas and a number of collaborations. Here is a look at what will be on offer. The season opens on Sept. 28, with BreakThru Films’ animated film, “Magic Piano & The Chopin Shorts,” entertaining for both children and adults, accompanied by a live performance of Chopin. This work will be presented {…}

Opera Meets Film, Special Features

Opera Meets Film: 7 Oscar-Nominated Films That Inspired Operas Part 2

https://operawire.com/opera-meets-film-7-oscar-nominated-films-that-inspired-operas-part-2/

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will go through {…}

Reviews, Stage Reviews

Chicago Opera Theater 2017-18 Review: Elizabeth Cree: A Masterpiece Hits the Stage in Potent Fashion

https://operawire.com/chicago-opera-theater-2017-18-review-elizabeth-cree-a-masterpiece-hits-the-stage-in-potent-fashion/

The Chicago Opera Theater presented a stellar performance of “Elizabeth Cree” on Feb. 10, 2018, at the Studebaker Theater in Chicago’s Fine Arts Building. A co-production with Opera Philadelphia, this murder mystery opera based on Peter Ackroyd’s historical crime novel, “The Trial of Elizabeth Cree,” treads a knife-edge, successfully balancing horrific dramatic narrative, tongue-in-cheek vaudeville, and bittersweet pathos. Mark Campbell’s text {…}