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News, Streaming

Lawrence Brownlee, Ryan Speedo Green, Olga Borodina, Nicole Heaston, Johnathan McCullough Headline Top 10 Operas to Stream This Week

https://operawire.com/lawrence-brownlee-ryan-speedo-green-olga-borodina-nicole-heaston-johnathan-mccullough-headline-top-10-operas-to-stream-this-week/

It turns out that despite some progress, we are in for a sustained lockdown period to start 2021. But what we are also seeing from opera companies is greater flexibility and creativity on the streaming front. That is on full display in this week’s edition of our top 10 operas to stream with a bevy of new short opera films, {…}

Behind the Scenes, Interviews

Q & A: LA Opera CEO & President Christopher Koelsch on the Company’s 2020-21 Season, Renée Fleming & ‘Breaking the Waves’

https://operawire.com/q-a-la-opera-ceo-president-christopher-koelsch-on-companys-2020-21-season-renee-fleming-breaking-the-waves/

The LA Opera announced its 2020-21 season featuring five main stage production, four new productions and a number of second stage productions through its Connects and LA Opera Grand sections. Among the composers featured in the programming are Missy Mazzoli, Verdi, Mozart, Handel, and Rossini. In light of the new season announcement, CEO and president of the house Christopher Koelsch {…}

Reviews, Stage Reviews

Lincoln Center Great Performers 2019-20 Review: Magdalena Kožená

https://operawire.com/lincoln-center-great-performers-2019-20-review-magdalena-kozena/

(Photo Credit: Kevin Yatarola) On November 26, 2019, Lincoln Center’s Alice Tully Hall was host to the latest iteration of its Great Performers series. This installment saw Czech mezzo-soprano Magdalena Kožená joined by a number of distinguished artists, including Simon Rattle, violinists Giovanni Guzzo and Rahel Maria Rilling, violist Amihai Grosz, cellist David Adorjan, flutist Kaspar Zehnder and clarinetist Andrew {…}

Reviews, Stage Reviews

Opera Southwest 2019-20 Review: Alì Babà

https://operawire.com/opera-southwest-2019-20-review-ali-baba/

On Oct. 20, 21019 Opera Southwest made history by reviving Giovanni Bottesini’s rarely performed opera “Alì Babà.” In many ways, the performance was almost like a world premiere because it was the first time the opera was being performed as the composer intended with its recitatives included. As noted in the program, Bottesini’s opera world premiered in 1871 but with {…}

Reviews, Stage Reviews

Mostly Mozart Festival 2019 Review: Soprano Jeanine De Bique & Budapest Festival Orchestra

https://operawire.com/mostly-mozart-festival-2019-review-soprano-jeanine-de-bique-budapest-festival-orchestra/

(Photo Credit: Kevin Yatarola) On August 4, 2019, the Budapest Festival Orchestra brought their talents to David Geffen Hall for an exciting program of works by Handel, Haydn, and Mozart. Joining conductor Ivan Fischer and the orchestra was Trinidadian soprano Jeanine De Bique, making her debut performance with the Mostly Mozart Festival in spectacular fashion. First, Haydn Starting the evening’s {…}

Reviews, Stage Reviews

Tanglewood 2019 Review: The Brightness of Light

https://operawire.com/tanglewood-2019-review-the-brightness-of-light/

It’s not often that the weather takes prominence in a review of any concert. But for this Tanglewood concert, on this Saturday night –anniversary of the moon landing! — an exception must be made. Because as much as any other element in the evening’s performances, weather — in this case, record temperatures and devastating humidity – also took center stage. {…}

Reviews, Stage Reviews

Carnegie Hall 2018 Review: Elīna Garanča In Recital

https://operawire.com/carnegie-hall-2018-review-elina-garanca-in-recital/

Mezzo-soprano Elīna Garanča, who recently opened the Metropolitan Opera’s 2018-19 season with her role in Saint-Saens’ “Samson and Delilah” took to Carnegie Hall with pianist Kevin Murphy for an evening of lieder, songs, and arias close to her heart and on the pulse of her prominent artistic career. Featuring the works of Schumann, Wagner, Ravel, and more, the program of {…}