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Glyndebourne Festival Announces 2026 Autumn Season

https://operawire.com/glyndebourne-festival-announces-2026-autumn-season/

The Glyndebourne Festival has announced its Autumn 2026 season which will run between Oct. 14 and Dec. 13, 2026. The season will open with Mozart’s “The Marriage of Figaro,” and Rossini’s “The Barber of Seville.” There will also be concert performances of Tchaikovsky’s “Romeo and Juliet (fantasy overture)” and Beethoven’s Ninth Symphony, plus the world premiere of “Spark,” a newly-commissioned {…}

News

Glyndebourne Announces Apprenticeship Program for Technical & Production Professionals

https://operawire.com/glyndebourne-announces-apprenticeship-program-for-technical-production-professionals/

Glyndebourne has announced a new apprenticeship program. The program will seek to train the next generation of technical and production professionals in the performing arts through a paid, hands-on experience. Designed as an alternative to traditional university education, the program allows apprentices to gain practical experience directly from industry professionals while building networks to support their careers. They will work {…}

News

Ben Bliss to Headline December 2025 Recital Presented by LA Opera & The Wallis

https://operawire.com/ben-bliss-to-headline-december-2025-recital-present-byy-la-opera-the-wallis/

LA Opera and The Wallis will present tenor Ben Bliss in recital with pianist Bryan Wagorn on Sunday, Dec. 7, 2025, in Beverly Hills. The program will include European and American art songs, arias by Tchaikovsky and Massenet, and popular standards by Sammy Fain, Stephen Sondheim, and Benny Goodman. Bliss, a former member of LA Opera’s Domingo-Colburn-Stein Young Artist Program {…}

Business, News

20 Opera Companies Join Forces to Launch UK Opera Association

https://operawire.com/20-opera-companies-join-forces-to-launch-uk-opera-association/

A new organization representing the UK’s opera sector, the UK Opera Association (UKOA), has officially launched, uniting 20 founding companies to advocate for opera’s future and strengthen its presence across the country. UKOA, which was founded by Birmingham Opera Company, British Youth Opera, Buxton International Festival, English National Opera, English Touring Opera, Garsington Opera, The Grange Festival, Glyndebourne, Longborough Festival {…}

News

Royal Swedish Opera Choir Participates in Birgit Nilsson Prize Gala

https://operawire.com/royal-swedish-opera-choir-participates-in-birgit-nilsson-prize-gala/

(Photo credit: Henrik Halvarsson) Royal Swedish Opera Choir and the Royal Swedish Philharmonic Orchestra performed at the Birgit Nilsson Prize gala on Oct. 21. Soloists were Matilda Sterby, Peter Mattei, and Daniel Johansson. Together with the choir, they performed under the direction of Susanna Mälkki. The program featured a piece from Kaija Saariaho and Sofi Oksanen’s “Innocence 2021” and the {…}

News

Glyndebourne to World Premiere ‘The Railway Children’

https://operawire.com/glyndebourne-to-world-premiere-the-railway-children/

Glyndebourne is set to present the world premiere of “The Railway Children” this fall. The new opera by composer Mark-Anthony Turnage and librettist Rachael Hewer is based on Edith Nesbit’s novel, which explores the mysterious imprisonment of a child’s father and his mother’s determination to reunite the family. “We have aimed to respect the integrity of the original story, while {…}

News

Glyndebourne Festival Experiences Power Outages

https://operawire.com/glyndebourne-festival-experiences-power-outages/

The Glyndebourne Festival experienced power outages over the weekend. According to Opera Magazine, the June 28 performance of “Saul” was interrupted by three power cuts and abandoned before the closing chorus. Then on Sunday, June 29, “the final scene of the new production of ‘Le nozze di Figaro’ was delayed by a technical problem with the revolve.” “Saul” is currently {…}

Interviews, News

Q & A: Mezzo-Soprano Samantha Hankey on Her Vocal Technique in the Role of Donna Elvira & Her Own Evolution as an Opera Singer

https://operawire.com/q-a-mezzo-soprano-samantha-hankey-on-her-vocal-technique-in-the-role-of-donna-elvira-her-own-evolution-as-an-opera-singer/

(Photo credit: Faymous) From the title role in “Carmen,” one of the most coveted mezzo roles, to Dorabella in “Cosi fan tutte,” a traditional soprano role, mezzo-soprano Samantha Hankey sings it all. In her interview with OperaWire, Hankey discussed her nonconformist approach to repertoire and the technique behind her success. Hankey will be singing the role of Donna Elvira in {…}