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News

Chicago Opera Theater Receives $500,000 Andrew W. Mellon Foundation Grant

https://operawire.com/chicago-opera-theater-receives-500000-andrew-w-mellon-foundation-grant/

Chicago Opera Theater has received a $500,000 grant from the Andrew W. Mellon Foundation. The grant will support the Vanguard Emerging Opera Composer Residency Program, the heart of COT’s Vanguard Initiative. The Residency Program invites composers to join the company for a two-year study of opera-specific skills, with the goal of “bridging the gap between general compositional skills taught in {…}

IndieOpera

MassOpera To Showcase Concert Performance of ‘Freedom Ride’ Along With Chicago Opera Theater

https://operawire.com/massopera-to-showcase-concert-performance-of-freedom-ride-along-with-chicago-opera-theater/

MassOpera will showcase a special concert performance of composer Dan Shore’s “Freedom Ride” on Nov. 3, 2019. The concert, which will take place in Boston, is presented in collaboration with Chicago Opera Theater. The opera, a COT commission, is set to star soprano Alicia Russell, mezzo Imani Francis, tenor Fred C. VanNess, baritone Ron Williams, Melinda Davis, and tenor Steven {…}

News

Nathan Gunn & Lidiya Yankovskaya Headline Chicago Opera Theater’s 2019-20 Season

https://operawire.com/nathan-gunn-lidiya-yankovskaya-headline-chicago-opera-theaters-2019-20-season/

The Chicago Opera Theater has announced its 2019-20 season with the company presenting three productions and a world premiere. Take a look at what the company is set to offer. The season will begin with a double-bill of Chicago premieres. The double bill will include “Everest,” by Joby Talbot with a libretto by Gene Scheer, and “Aleko” by Sergei Rachmaninov. {…}

News

Chicago Opera Theater Receives Major Grants From National Endowment for Arts & Opera America

https://operawire.com/chicago-opera-theater-receives-major-grants-from-national-endowment-for-arts-opera-america/

The Chicago Opera Theater has been given a $30,000 grant from the National Endowment for Arts and a $15,000 civic practice grant from Opera America’s Opera Fund. The grant from the National Endowment is for the company’s upcoming production of “Moby Dick,” which opens on April 25, 2019. The grant was one of 972 that were award from 1,605 applicants. {…}

Business, News

Chicago Opera Theater Names New General Director

https://operawire.com/chicago-opera-theater-names-new-general-director/

The Chicago Opera Theater has announced that Ashley Magnus will be the new Stefan Edlis and Gael Neeson General Director, effective immediately. Prior to this appointment, Magnus was the company’s General Manager of Strategy and Development and her appointment makes her the second major female leader of the company following Lidiya Yankovskaya’s appointment as the Bill Staley Music Director. Magnus {…}

News

Three Chicago Premieres Headline Chicago Opera Theater’s 2018-19 Season

https://operawire.com/three-chicago-premieres-headline-chicago-opera-theaters-2018-19-season/

The Chicago Opera Theater has announced its 2018-19 season featuring exciting and rarely performed operatic gems. Here is a look at what the season will offer. Tchaikovsky’s “Iolanta” makes its Chicago premiere with direction by internationally acclaimed and award-winning director Paul Curran and under the baton of COT’s own Staley Music Director, Maestro Lidiya Yankovskaya. Katherine Weber sings the title {…}

Reviews, Stage Reviews

Chicago Opera Theater 2017-18 Review – Il Pigmalione and Rita: A Double-Bill of Donizetti Pays Worthy Homage to His Genius

https://operawire.com/chicago-opera-theater-2017-18-review-il-pigmalione-and-rita-a-double-bill-of-donizetti-pays-worthy-homage-to-his-genius/

Seasoned operagoers are very familiar with Gaetano Donizetti, although most have only seen a paltry number of his works including the likes of “Lucia di Lammermoor,” “Anna Bolena” and “La Fille du Régiment.” Donizetti is known as opera’s most prolific popular composer with over 70 operas to his name with many providing fertile unexplored territory. The innovative Chicago Opera Theater has forged {…}

Reviews, Stage Reviews

Chicago Opera Theater 2018-19 Season – Il Pigmalione / Rita: Donizetti Donizetti Double Bill Is A Masterclass in Composition

https://operawire.com/chicago-opera-theater-2018-19-season-il-pigmalione-rita-donizetti-donizetti-double-bill-is-a-masterclass-in-composition/

Editor’s Note: You may notice that we previously published a review on this double bill recently. This is another perspective on the same production for your enjoyment and Insight.  The Chicago Opera Theater’s April 14, 20, and 22 double-bill presentation at the Studebaker Theater of “Il Pigmalione” and “Rita,” Donizetti’s first and last operas gave the listener a masterclass in {…}

Reviews, Stage Reviews

Chicago Opera Theater 2017-18 Review: Elizabeth Cree: A Masterpiece Hits the Stage in Potent Fashion

https://operawire.com/chicago-opera-theater-2017-18-review-elizabeth-cree-a-masterpiece-hits-the-stage-in-potent-fashion/

The Chicago Opera Theater presented a stellar performance of “Elizabeth Cree” on Feb. 10, 2018, at the Studebaker Theater in Chicago’s Fine Arts Building. A co-production with Opera Philadelphia, this murder mystery opera based on Peter Ackroyd’s historical crime novel, “The Trial of Elizabeth Cree,” treads a knife-edge, successfully balancing horrific dramatic narrative, tongue-in-cheek vaudeville, and bittersweet pathos. Mark Campbell’s text {…}