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News, Streaming

ORF III to Broadcast Wiener Staatsoper’s ‘Norma’ with Federica Lombardi & Juan Diego Flórez

https://operawire.com/orf-iii-to-broadcast-wiener-staatsopers-norma-with-federica-lombardi-juan-diego-florez/

On March 23, ORF III will broadcast the Wiener Staatsoper’s new production of Bellini’s “Norma.” The new production by Cyril marks the first time in 10 years that the work is presented at the Wiener Staatsoper and the first staged production in almost 45 years. Michele Mariotti conducts an all-star cast led by Federica Lombardi, who makes her role debut {…}
News

Juan Diego Flórez & Federica Lombardi Headline Wiener Staatsoper’s New ‘Norma’

https://operawire.com/juan-diego-florez-federica-lombardi-headline-wiener-staatsopers-new-norma/

The Wiener Staatsoper is set to present a new production of Bellini’s “Norma.” Michele Mariotti is set to conduct a new production by French stage director Cyril Teste. In a statement, Mariotti noted, “‘Norma’ is a triumph of emotions and torments described by the fierce classicism of the music. In my view, there are two moments that make it an {…}
News

Cecilia Bartoli, Matthias Goerne, Piotr Beczala & Philippe Jaroussky Lead Salzburg Whitsun Festival’s 2025 Season

https://operawire.com/cecilia-bartoli-matthias-goerne-piotr-beczala-philippe-jaroussky-lead-salzburg-whitsun-festivals-2025-season/

The Salzburg Whitsun Festival has announced its 2025 season. Opera “Hotel Metamorphosis,” a pastiche of Vivadi’s music, will be conducted by Gianluca Capuano and directed by Barrie Kosky. The production will star Cecilia Bartoli, Varduhi Abrahamyan, Lea Desandre, Philippe Jaroussky, and Angela Winkler.  Performance Dates: June 6-8, 2025 Nadine Sierra, Piotr Beczala, and Luca Salsi star in Verdi’s “La Traviata” {…}
News

Elīna Garanča, Piotr Beczała, Christopher Purves Headline Second Half of Philharmonia Orchestra’s 2024-25 Season

https://operawire.com/elina-garanca-piotr-beczala-christopher-purves-headline-second-half-of-philharmonia-orchestras-2024-25-season/

The Philharmonia Orchestra has unveiled the second half of its 2024-25 season. (To check out the first half, click here.) Here is a rundown of the vocal and operatic performances on offer. Riccardo Muti will conduct Verdi’s Requiem with a star-studded quartet of singers. Soloists include Juliana Grigoryan, Elīna Garanča, Piotr Beczała, and Ildebrando d’Arcangelo. Performance Date: March 27, 2025 {…}
Behind the Scenes, Interviews

Mezzo-Soprano Margherita Rotondi on Establishing Her Own Position in the Opera Industry

https://operawire.com/mezzo-soprano-margherita-rotondi-on-establishing-her-own-position-in-the-opera-industry/

What does it take to make a difference in the opera world? And what does it mean? Should one be world-famous, have a star-management and a five-figure fee? I guess it’s a certain way. But then, on a planet [over]-populated by almost eight billion people, we would have just a handful of such personalities. When a couple of years ago, {…}
News

Anna Netrebko, Lise Davidsen, Sonya Yoncheva, Elīna Garanča, Juan Diego Flórez, Jonas Kaufmann, Asmik Grigorian & Ludovic Tézier Lead Wiener Staatsoper’s 2024-25 Season

https://operawire.com/anna-netrebko-lise-davidsen-sonya-yoncheva-elina-garanca-juan-diego-florez-jonas-kaufmann-asmik-grigorian-ludovic-tezier-lead-wiener-staatsopers-2024-25-season/

The Wiener Staatsoper has announced its 2024-25 season. Premieres Philippe Jordan conducts Verdi’s “Don Carlo” in a new production by Kirill Serebrennikov. The production stars Asmik Grigorian, Roberto Tagliavini, Joshua Guerrero, Étienne Dupuis, Eve-Maud Hubeaux, and Dmitry Ulyanov. The second cast will include Nicole Car, Elīna Garanča, and Vitalij Kowaljow. Performance Dates: Sept. 26, 2024-March 23, 2025 György Kurtág’s “Fin {…}
Reviews, Stage Reviews

Opéra National de Paris 2022-23 Review: Carmen (Cast B)

https://operawire.com/opera-national-de-paris-2022-23-review-carmen-cast-b/

Paris Opera’s “Carmen” staging was sold as the same production staged last November, yet everything was different. Adding one or two gestures here and there can almost completely change the characters’ psychology. Calixto Bieito’s staging remains impressive and provocative. He emphasizes the importance of true meaning to the detriment of the exploitation of empty forms. The impact of such a {…}

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