(Credit: Enrico Nawrath) With “Götterdämmerung,” any chance of Valentin Schwarz giving an understandable meaning to his production went nowhere. For the first time in the tetralogy, Schwarz presented paranormal elements like the three Norns (represented as three faceless woman wearing  sparkling costumes and makeup) or the transformation, thanks to the magic helmet, of Siegfried into Gunther for the last scene {…}