Charles Styles has joined Zelaya Artists for worldwide representation. The British tenor has performed is part of the Merola Opera Program, in partnership with San Francisco Opera and is scheduled to graduate from the Yale School of Music. He has performed with the BBC Symphony Orchestra and Glyndebourne Festival. Roles he has already performed include Vaudemont in Tchaikovsky’s “Iolanta,” Rodolfo {…}
(© Carlita Sari) Elijah Moshinsky’s production of Engelbert Humperdinck’s (not to be mixed up with the British pop star!) “Hänsel & Gretel” premiered at the Sydney Opera House in 1992 to great acclaim and its first revival took place a few days ago. Considering that this delightful work features as No. 9 on Bachtrack’s worldwide review of most performed operas {…}
Opera Columbus will continue its 2025–26 season with the Columbus premiere of “The Anonymous Lover” this February. The Joseph Bologne work will feature a new libretto adaptation by Kirsten Greenidge, with spoken dialogue in English and sung portions in the original French, accompanied by English supertitles. Performances will be conducted by Dr. Everett McCorvey, Opera Columbus’s Principal Guest Conductor, and {…}
Mezzo-soprano Rihab Chaieb is set to her LIFE Victoria debut in a recital on Feb. 6, 2026, at the Sant Pau Recinte Modernista. The program, titled “Combat Between East and West,” centers on contrasting musical perspectives drawn from Western composers influenced by Eastern traditions and traditional Arabic songs. The music featured includes works by Maurice Ravel, Camille Saint-Saëns, Georges Bizet, Louise {…}
The Yakima Symphony Orchestra announces wage increases for its musicians for the first time in four years. The wage increase was approved as part of the organization’s fiscal year 2027 budget by the Board of Directors on Jan. 29, 2026. The pay raises will take effect on July 1, 2026. Under this new budget, musician wages increase between 13 and {…}
Cincinnati Opera has announced “Underscore,” a new event series running March through May 2026 that explores opera through theatrical, social, and cultural lenses inspired by the company’s 2026 Summer Festival repertoire. “Underscore” opens with “The Importance of Being Oscar,” an original one-act play by Evans Mirageas and Audrey Chait that examines Oscar Wilde’s first visit to Cincinnati in 1882, prior {…}
Juno Films has acquired the exclusive U.S. distribution rights for “La Scala: The Force of Destiny,” a new documentary by director Anissa Bonnefont. Following the acquisition on Jan. 12, 2026, the distributor set up the film for its U.S. premiere on March 27, 2026, at the Quad Cinema in New York City, followed by a West Coast premiere on March {…}
Carnegie Hall has announced its 2026-27 season featuring a star studded lineup. Here is a look at the vocal performances. Jonas Kaufmann opens the season with the Berliner Philharmoniker and Kirill Petrenko in an all-Italian program that includes works by Verdi, Respighi, Cilea, Giordano, and Leoncavallo. Performance Date: Oct. 8, 2026 The Sphinx Virtuosi is joined by J’Nai Bridges for {…}
The Pacific Symphony Orchestra has announced its 2026-27 season. Here are the vocal performances. Alexander Shelley conducts Mahler’s Symphony No. 2 with Miah Persson and Dame Sarah Connolly. Performance Date: Oct. 1-3, 2026 Händel’s “Messiah” will be performed for the holiday season. Performance Date: Dec. 6, 2026 Alexander Shelley conducts Runestad’s “A Silence Haunts Me” and Beethoven’s Symphony No. 9, {…}
Opera Australia has announced the cast for its 70th Anniversary Gala on May 17. The evening, which will take place t the Regent Theatre, will celebrate its extraordinary contribution to Australia’s cultural landscape over the past seven decades. The evening will include Emma Matthews, Stacey Alleaume, Olivia Cranwell, Jane Ede, Sian Sharp, Diego Torre, Filipe Manu, Iain Henderson, Andrii Kymach, Luke {…}
(Photo: Alexandra Polina) Freiburg Theater’s current production of John Adams’ “Doctor Atomic” is a must-see event! Even opera-goers who find contemporary works difficult or off-putting would struggle to deny the brilliance of this presentation. It succeeds on every level: musically, dramatically, visually and intellectually. And in doing so, confirmed the opera’s reputation as an early 21st century masterpiece. The opera {…}