Sticking to the Score – Krassimira Stoyanova On Finding Musical Surprises From A Conservative Approach to Verdi, Verismo & Bel Canto

Krassimira Stoyanova is not your typical diva. Nor has she managed to carve out a career with the “expected” working conditions for most singers of her caliber. Since her debut at the Sofia National Opera House in 1995, the Bulgarian soprano has become a famed interpreter of the Italian operatic repertoire, singing at all the greatest theaters in the world. Her {…}

Teatro Comunale di Bologna 2017 Review – La Voix Humaine & Cavalleria Rusticana: Anna Caterina Antonacci Sets Tone For Fantastic Double Bill

Where one would expect the operatic double bill of “Cavalleria Rusticana” and “Pagliacci,” Teatro Comunale di Bologna instead opened last night’s double bill with Poulenc’s “La Voix Humaine” and Mascagni’s ever-famous verismo opera, “Cavalleria Rusticana,” appropriately placed with the approaching Easter season. La Voix Humaine “Voix Humaine,” set to music from Cocteau’s play of the same name, is described as {…}