A few years ago, Amanda Majeski got the opportunity of a lifetime. Most singers wait a ton of time before getting a shot at opening the Metropolitan Opera season. Many singers never get that opportunity at all. But there was Majeski on Sept. 22, 2014. Richard Eyre’s massive set for “Le Nozze di Figaro” was rotating to reveal the Countess’ {…}
This Saturday, March 3, 2018, the Washington National Opera will be staging a four-act version of “Don Carlo” with a superstar cast. While many might turn to the likes of Leah Crocetto, Jamie Barton, or Eric Owens, for the star power, tenor Russell Thomas is poised to have a big night in his Washington National Opera debut. Thomas recently spoke {…}
It was 2009 and Andriana Chuchman was a Young Artist at the Ryan Center at the Lyric Opera of Chicago. Then she landed a massive experience to do something she had never done – take on the title role in a major opera in a professional setting. The Edmonton Opera was looking for someone to take on the role of {…}
Who doesn’t love kicking back as a child and copying your favorites singers while imagining that you are that artist and taking the world by storm? That the spotlights are on you and that you have transitioned from a dreaming child to a worldwide star. That’s Lucas Meachem right now. The baritone, who is currently singing the role of Marcello {…}
Shura Baryshnikov grew up in an unusual situation. As the daughter of Jessica Lange and Mikhail Baryshnikov, she knew that taking a career path in the arts would undeniably lead to comparisons. In a recent talk with OperaWire, she spoke about this major challenge in her life. “I definitely had to overcome the fear of being compared to my parents and {…}
At the start of Rossini’s “Semiramide,” Arsace returns to Babylon after a long time away. For years, Elizabeth DeShong has been a fixture at the Metropolitan Opera singing in such operas as “La Rondine,” “Aida,” “The Enchanted Island,” “A Midsummer Night’s Dream,” “Madama Butterfly,” and “Lulu.” Then after the 2015-16 season, she did not return until now to take on {…}
In 2017, countertenor John Holiday took home the distinguished Marian Anderson Vocal Award, which not only recognizes him as an artist with a bright future lying ahead but also allows him to share that zeal in a spirited recital on Thursday, February 15 at the Kennedy Center in Washington, D.C. Operawire had the chance to speak with John Holiday to {…}
Lawrence Brownlee is one of the great bel canto tenors of this generation, singing the works of Donizetti, Rossini, and Bellini, among others, to tremendous critical success around the globe. He is currently in the midst of a run in one of his signature roles as Arturo in Bellini’s “I Puritani” at the Lyric Opera of Chicago and prepping for {…}
Andrea Mastroni is not just a bass. The Italian artist actually spent a great portion of his studies as an aesthetic philosopher, working to deepen his understanding of musical texts. In an interview last year with OperaWire, he noted that this was essential to his ability to be a performer and interpreter. “Learning philosophy makes you think constantly about everything you {…}
Layla Claire is recognized as one of the rising stars of the opera world, having performed at some of the most acclaimed theaters in the world. A graduate of the Lindemann Young Artist Development Program at the Metropolitan Opera, Claire has specialized in the works of Mozart and Handel and has also performed operas by Britten. She is also a {…}
René Pape, opera’s most iconic bass had an eventful 2017 and is kicking off the New Year in tremendous style. For those who want a recap – the bass sang in 14 productions throughout the year, mostly in Wagner operas and then ended 2017 by releasing a rubber duck in his image, the famed “Papeduck.” And now he’s back for {…}