(credit: Marco Borggreve) Trinidadian soprano Jeanine De Bique hadn’t seen a fully staged opera until the age of 21, but had been raised to appreciate the classical arts by her mother. Now, the award-winning singer is highly sought after for concert and staged works, with The “Washington Post” noting her “dramatic presence and versatility.” And as such, she will make {…}
(Photo: Lauren Dersberg) Irish National Opera’s recent visit to the Galway International Arts Festival with its production of Brian Irvine’s new opera “Least Like the Other: Searching for Rosemary Kennedy,” has been unanimously {…}
Alabama-native, soprano Susanna Phillips will present an intimate evening of song on July 30, 2019 as part of the 2019 Mostly Mozart Festival. The recital will take place at the Stanley Kaplan Penthouse overlooking New York City and spotlights three female composers: Fanny Hensel, Alma Mahler, and Clara Schumann. Phillips’ appearance is part of the festival’s “A Little Night Music” series {…}
Becoming an opera singer is both an act of faith and a passion. It is also an arduous path of discipline and hard work, day after day, year after year. When an audience sits in the opera houses of the world and revels in the sheer beauty of sound and drama, let alone the color and glamour of an operatic {…}
Guatemalan soprano Adriana Gonzalez is the first musician in her entire family, making her meteoric rise in the opera world all the more essential to her and her loved ones. She has the potential to go even further this very week when she competes in the Operalia Competition, one month after appearing the BBC Cardiff Singer of the World competition. {…}
(Credit: Cristopher Santos) Dead branches bend in the wind as the first notes of Schubert’s “Du bist die Ruh” palpitate softly. Suddenly a gentle soprano materializes as we get a birds eye view of soprano Julia Sophie Wagner, in a vibrant red dress, lying in the dark dirt around her, arms outstretched and moving gently up and down. This is how {…}
Legendary soprano Montserrat Caballe once said, “Saioa Hernández is the diva of our century and the theaters are sleeping because she should be in every single one.” Up until this year, Hernandez had been performing in the smaller European theaters to great acclaim and slowly moving up the ranks. But she was far from a household name in the opera {…}
(Photo: Arielle Doneson) Soprano Jennifer Zetlan is a singer known for her enthusiasm for contemporary opera. She has been featured in at least nine premieres of American operas, and created roles in two world premieres, the Messenger in Matthew Aucoin’s “Crossing,” and Fanny in Ricky Ian Gordon’s “Morning Star.” Alongside Zetlan’s passion for new opera, her vocal agility enables her {…}
Two years ago, Benjamin Bernheim was a young artist performing light tenor roles and preparing to make the jump to some of the most important lyric operas in the repertory. He was an unknown and was still a member of the Opernhaus Zurich. But he had a perspective of where he wanted to be. “I knew I wanted to sing {…}
(Photo Credit: Askonas Holt Management) After making a strong first impression with his debut in a new production of Prokofiev’s “Betrothal in a Monastery” at the Staatsoper Unter den Linden, Berlin and looking forward to his Met Opera debut in October for the 2019-20 season in the role of Schaunard in Puccini’s “La Bohème,” Andrey Zhilikhovsky returns to Glyndebourne for the {…}
Baritone Peter Schöne has enjoyed a solid international opera career at over 20 opera houses around the world, including the Komische Oper Berlin where he made his debut in “Greek” back in 2002. And now he will add to his list of operatic exploits when he performs his first opera in the UK this June in “The Hunting Gun.” The {…}