Q & A: Luca Pisaroni on Why His ‘Personal Idea of Hell is Repeating the Same Thing’

(Credit: Chris Singer) In Gramophone’s Opera recording of the year, Handel’s “Agrippina” with Erato Records, there are many shinning vocal performances, including those by Joyce DiDonato, Marie-Nicole Lemieux, Franco Fagioli, and Luca Pisaroni, to name but a few. Luca Pisaroni wows the listener in the role of the bumbling Emperor Claudio. Pisaroni is perhaps best-known these days for his work {…}

At Home With… Bass Brindley Sherratt in the Surrey Hills

(Photo credit: Frances Marshall) “At Home With… ” is a series collaboration between OperaWire and photographer Frances Marshall of Marshall Light Studio, combining original photography with insightful interviews. Between New York City and the stunning scenery of England’s Surrey Hills, a rumble like a temblor traveled across the Atlantic. On the Surrey side was the renowned bass, Brindley Sherratt. After the {…}

Q & A: Sergey Romanovsky & Enea Scala on ‘Elisabetta, regina d’Inghilterra,’ Bel Canto & Livestreams

When La Monnaie was forced to postpone its planned “Bastarda” project, which would have featured the Tudor trilogy and Donizetti’s rarely performed “Il castello di Kenilworth,” the company had to opt for an alternative. The company decided to perform two rare works by Donizetti and Rossini; “La Favorita” and “Elisabetta, regina d’Inghilterra.” However, it would only be highlights of the {…}