Q & A: Soprano Natalia Tanasii on the Salzburg Festival, Sting, & Strauss

(Credit: Natalia Sedinta) Moldovan soprano Natalia Tanasii was only 21 when she made her professional stage debut as Countess Almaviva (“Le nozze di Figaro”) at the Moldovan National Opera. Her unforgettable Salzburg Festival debut followed in Krzysztof Warlikowski’s staging of “Elektra” this year. In an interview with OperaWire, Ms. Tanasii discussed her career moves, repertoire choices, and her preparation process {…}

Q & A: Marlon Daniel on the Chevalier de Saint-Georges & Systematic Racism in Classical Music

Few artists have dedicated themselves to championing the works of composers of African and African American descent the way that conductor Marlon Daniel has. A Chicago native, Daniel has performed new works by such composers as Fred Onovwerosuoke, Dominique Le Gendre, and Adolphus Hailstork, among others. He also founded the Festival International de Music Saint-Georges in Guadaloupe and was the {…}

Q & A: Soprano Regula Mühlemann on Her Passion for Mozart & Baroque, Making Recordings, the COVID Lockdown

(Credit: Guido Werner Photography) Young Swiss soprano Regula Mühlemann currently has one of the most recognized and celebrated voices for Mozart’s operas, as well as Baroque repertoire. Already in her short career, she has performed at important international theatres such as La Scala in Milan, La Fenice Theater in Venice, and the opera houses of Zurich, Berlin, and the Salzburg {…}