The New York City Opera, an institution that had been at the heart of New York City’s opera culture was dead. Its fate was unknown. That’s when Michael Capasso stepped in. He had already worked extensively as a stage director and had even founded his own company, the Dicapo Opera Theatre in 1981. So he was not new to taking {…}
Growing opera has become one of the essential missions of major opera companies. Fostering new talent, whether it be singers or composers, is now an active part of most opera companies’ structures. That is no different for the Washington National Opera and its American Opera Initiative. The program was initiated in 2012 with the goal to “stimulate, enrich, and ensure {…}
What do you do once you have retired from singing? Some opera singers dedicate themselves to teaching while others begin directing. Others, still, begin young artist programs. For legendary soprano Lucine Amara, now 92, it’s about all of these as she has devoted her energy to building an opera company that gives an opportunity to young singers. For the past {…}
Ever heard of a VR opera? Most opera lovers probably haven’t as it is a recent experiment that Opera On Tap has engaged in. The company recently released “The Parksville Murders,” an opera that combines music with film and VR. It experiments with voice, sound, and musical styles to create an engrossing and enriching experience. OperaWire sat down with Anne {…}
Every single year, the Mormon Tabernacle Choir puts on the holiday performance of Utah. And a year later, audiences around the world get to revel in its beauty via PBS. This year’s showcase, scheduled for Dec. 15, 2017 on PBS and on Dec. 17 on BYUtv, is set to be no different. Since its inception in 2000, the “Christmas with {…}
Back in 1973, 32-year-old conductor John Nelson took the stage at Carnegie Hall. He was leading his first-ever performance of Berlioz’s monumental opera “Les Troyens.” Little did he know at that moment that the piece could come to become one of the most important of his entire career. “I was a kid back then,” the conductor told OperaWire in a {…}
Is Rossini one of the greatest composers of all time? A critical survey of his work would lead to a mixed answer here. Most would recognize his great achievements as a composer, though many in history also note that his efforts were evolved and superseded by composers that came later. His impact on history is fixed, but his impact today {…}
One of the more interesting developments in the opera world is the convergence of the theatrical experience with the audiovisual arts. At the Metropolitan Opera, this has been particularly noticeable in such works as “Satyagraha” and “The Enchanted Island,” where video projections are an essential part of the operatic experience, not only creating the environment, but also commenting on it. {…}
Over the last two years the Metropolitan Opera Guild has attempted something that few, if any, other companies have given a look at – podcasts. The increasingly popular form of media has seen tremendous growth over the last few years, becoming the go-to source for information and entertainment for busy morning commuters. Unlike videos or other forms of media, podcasts {…}
Lidiya Yankovskaya, the new Music Director of Chicago Opera Theater (COT) is a musical unifier and explorer. Her goals for the future at COT include presenting a variety of underrepresented repertoire, supporting and promoting the best of new operatic works being created in our current “golden age of American opera,” and bolstering COT’s current education and community engagement initiatives. Yankovskaya {…}
Maestro Carlo Rizzi has led over 180 performances at the Met and when all is said and done in 2017-18, he will have topped 200 performances with the company. He has led works by such composers from a vast range of Italian composers including Puccini, Verdi, Donizetti, and Rossini. Of all the works he has conducted, “La Bohème” has been {…}