How do you create an image that captures the essence of a person? That is the constant question that photographer Dario Acosta always questions when he is shooting a singer in his New York studio. “Ideally I don’t want to be a part of that world. I want you to look at the photo and not think I was there. {…}
Robert Neu was not expecting to be named the new artistic director of the Skylark Opera Theatre. But sure it was hard to not see it coming. The company announced the director’s new position as part of unveiling its new season, which will feature two new productions of opera staples. “Not only does Bob bring us extensive directing and production {…}
At age 14, Riccardo Frizza decided he wanted nothing to do with opera. The catalyst? Bellini’s “I Puritani.” “I was studying in the conservatory and they took us to see ‘I Puritani,’” the famed conductor told OperaWire in an exclusive interview. “I thought it was so boring. It was a mistake to take me to see that first before any {…}
Every young artist has a role model. That person that drew them to their vocation and inspired their respective journeys. Most of them don’t expect that hero or heroine to crop up on that path toward success, much less play a hand in it. But a few young singers will see that wish come true at the Opera Naples this {…}
Running a family business is a tricky proposition. Running an opera company might be even harder. Combining the two into one requires some form of genius. That has been the accomplishment of Michael Spierman, who set out on a dream alongside other colleagues to salvage operatic culture in the Bronx. The fruit of that dream, the Bronx Opera flourished and {…}
Opera and fashion are intrinsically linked. From the glamorous costumes that divas wearing on stage to the gowns and slick clothing they showcase on days off or at gala, there is a lot to see. Moreover, every reigning diva has her own style that makes for a never-ending treasure trove for fans. In 2013 Lady Maxwell founded Operafashion, a blog {…}
LoftOpera’s “Macbeth” has garnered tremendous reviews for its fantastic casting, nuanced production and brilliant music-making. “The crisp orchestral playing of the orchestra under the baton of Sean Kelly was highlighted by an atmospheric account of the first act prelude, with portentous horn fanfares seeming to “hang” forever in the vast space’s cavernous acoustic,” wrote the New York Observer. Despite being {…}
