Q & A: Niloufar Talebi on ‘Abraham in Flames’ & Being a Multi-Faceted Creator

Niloufar Talebi is an author, award-winning translator, multi-disciplinary artist, and producer. She has received commissions from Carnegie Hall, Cal Performances, and the Atlanta Symphony, and her work has been featured at Stanford Live, Brooklyn Academy of Music, Los Angeles County Museum of Art, the Kennedy Center, World Literature Today, PBS Frontline, ArteEast, Bidoun, Poetry International, Rattapalax, and Mother Jones Magazine. {…}

Q & A: Artistic Director Zou Shuang On The Beijing Music Festival & Directing ‘Orfeo’

Back in 2016, Zou Shuang joined the Beijing Music Festival as Associate Program Director, initiating the New Wave Program that introduced new works to Chinese audiences, including “Winterreise,” “La Voix Humaine,” “Giovanni and Vixen” and “The Fugitive.” Her work with the music festival led her to become the Artistic Director of the festival. She has only continued to push the {…}

Q & A: Fay Kueen Wang On ‘Orfeo’ & The Beijing Music Festival

Composer and performer Fay Kueen Wang’s is a multi-faceted performer who has drawn inspiration from avant-garde concert music, theater, film, electronic music, Chinese folk music, and indie pop, garnering rave reviews along the way.  She has performed across China, Europe, and the United States in such prestigious venues as the Berliner Philharmonie, Lincoln Center, Arnold Schoenberg Center, Musikverein, Oper Graz, Merkin Hall, Joseph {…}

Q & A: Pittsburgh Opera’s General Director Christopher Hahn On Company’s 80th Anniversary

It all began with five ladies who belonged to Pittsburgh’s Tuesday Musical Club: pianist Virginia C. Byerly; contralto Carolyn Hunt Mahaffey; Priscilla W. Collins; Ruby N. Wickersham; and Marie M. Pease. In 1939, 80 years ago this season, these Founding Five established The Pittsburgh Opera Society, which would become the seventh-oldest opera company in the United States. The first production, {…}