Q & A: Rosetta Cucchi On Taking Over As Artistic Director Of Wexford Festival Opera & Working With Singers & Music

In 1995, a young Rosetta Cucchi first walked through the door of the Theatre Royal in Wexford, home of the Wexford Festival Opera, beginning an association, which almost 25 years later, is still going strong, having just been been appointed as the company’s Artistic Director. Cucchi will take over the running of the festival from 2020, replacing David Agler, who {…}

Q & A: Dieter Kaegi On The Blackwater Valley Opera Festival’s Emergence & Direction

During early June, tucked away in the Blackwater Valley in Ireland’s southeast, the small town of Lismore plays host to Ireland’s other opera festival. Not nearly as famous as the Wexford Festival, the Blackwater Valley Opera Festival has been slowly developing its profile, and attracting the attention of a wider public, although it still remains relatively unknown outside Ireland. This {…}

Interview: Opera Fayetteville’s Founders On Producing Nico Muhly’s ‘Dark Sisters’ in Northwest Arkansas

Opera Fayetteville is a small opera company with a big mission. Situated in a college town with a crackling cultural scene, the company brings cutting-edge operatic programming to an opera-starved corner of Northwest Arkansas. For Tamara Ryan, Boston-based soprano and Opera Fayetteville founder, bringing opera to her hometown is a labor of love and a source satisfaction. Creating An Opera {…}

Q & A: Composer Iain Bell & Librettist Emma Jenkins on ‘Jack the Ripper: The Women of Whitechapel’ for English National Opera

British composer Iain Bell and librettist Emma Jenkins previously collaborated on their opera “In Parenthesis” in 2016 and their new work, “Jack the Ripper: The Women of Whitechapel” opens at English National Opera on March 30, 2019. In a recent talk with OperaWire, the duo commented on storytelling, Ripperology,  and opera’s answer to “Ocean’s 8”. OperaWire: Tell us about how the {…}

Q & A: Houston Grand Opera’s Artistic and Music Director Patrick Summers on His New Book

Readers looking for a thought-provoking, feel-good book about the powers of arts education and music’s spiritual force: look no further than “The Spirit of This Place: How Music Illuminates the Human Spirit (The University of Chicago Press).” Written by Houston Grand Opera Artistic and Music Director Patrick Summers, a self-professed lover of writing, the book is a collection of 36 {…}