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Reviews

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Aug 4, 2017

Opera Breve 2017 Review – Carmen: The Criminal Minds of Carmen

Aug 3, 2017

Chautauqua Opera 2017 Review – Don Pasquale: A Top-Notch Cast & Production Make For An Enjoyable Evening of Donizetti’s Comic Masterwork

Aug 2, 2017

Opera di Firenze, Maggio Musicale Fiorentino 2017 Review – L’Elisir d’Amore: Magical Cast & Production Give Donizetti Comedy Dramatic Depth

Aug 2, 2017

Festival della Valle D’Itria 2017 Review – Orlando Furioso: Imaginative Production & Vocal Artistry Make Case for Vivaldi’s Operatic Talents

Aug 1, 2017

Performance Santa Fe 2017 Review – Festival of Song: Brief Encounters: Vocal Quintet & Three Short Operas Deliver Memorable Evening

Aug 1, 2017

Bard SummerScape Festival 2017 Review – Dimitrij: A Flawed Production Makes Compelling Case For Dvořák’s Rarely Heard Sixth Opera

Aug 1, 2017

Festival della Valle D’Itria 2017 Review – Un Giorno di Regno: Great Musicians Elevate Verdi’s Undercooked Early Comedy

Jul 31, 2017

Festival della Valle d’Itria Review 2017 – Margherita d’Anjou: Director Shifts Plot From 15th Century to Reality TV Setting… And It Works

Jul 30, 2017

Verbier Festival 2017 Review – Elektra: Esa-Pekka Salonen Leads Dramatic Performance Worth Watching Many Times Over

Jul 27, 2017

Q & A: Alek Shrader and Daniela Mack on Living Opera Careers Together

Jul 25, 2017

Bayerische Staatsoper 2016-17 Review – La Forza Del Destino: Jonas Kaufmann, Anja Harteros Dominate In A Personal Narrative Encapsulated In A Far Larger Context

Jul 25, 2017

The Glimmerglass Festival 2017 – The Siege Of Calais: Francesca Zambello, Leah Crocetto & Aleks Romano Make A Great Case For Donizetti’s Forgotten Work

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