Lyric Opera of Chicago 2017-18 Review – Die Walküre: Owens and Goerke Excel As Strained Familial Relationships Draw Focus

Metropolitan Opera 2017-18 Review – The Exterminating Angel: Thomas Adès Opera May Prove Polarizing Emotionally

Wexford Festival Opera 2017 Review – The Dubliners: An Exciting Double Bill That Highlights Irish Turmoil

Wexford Festival Opera 2017 – Medea: Heavy-Handed Direction Distracts From Soprano Lise Davidsen’s Stunning Showcase

Wexford Festival Opera 2017 Review – La Scala di Seta: A Perfectly Entertaining, if Uneven, Performance

Lyric Opera of Chicago 2017-18 Review – Rigoletto: Matthew Polenzani, Quinn Kelsey and Rosa Feola Dazzle in Verdi’s Tragedy

Wexford Festival Opera 2017 Review – Margherita: Strong Production Makes Case that Foroni Could Have Challenged Verdi For Mantle of Italy’s Top Composer

Pacific Opera Project 2017-18 – The Monkey’s Paw & The Medium: Double Bill Enchants & Sets Perfect Halloween Mood

New York City Opera 2017-18 Review – Dolores Claiborne: Tobias Picker’s Opera Shocks and Thrills

Carnegie Hall 2017-18 Review: Renee Fleming Builds To Pleasing Finish At Carnegie Hall Recital

Oper Frankfurt 2017-18 Review – Peter Grimes: Spellbinding Performance By Vincent Wolfsteiner Leads Fascinating Portrayal of Britten Masterpiece

Carnegie Hall 2017-18 Review: Contrasts Delight The Mind And Heart With Antonio Pappano & Barbara Hannigan