Reviews
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Opernhaus Zurich 2017-18 Review: Das Land Des Lachelns: Piotr Beczala Shines Amidst Confused Production of Lehár Classic
Teatr Wielki Warsaw 2017-18 Review – Carmen: Rinat Shaham & Leonardo Capalbo Salvage Senseless Production By Andrzej Chyra
New York Opera fest 2018 Review: The Rose Elf — Hertzberg – Ousley Team Stage a Graveyard Smash
Spoleto Festival USA 2018 Review – Tree of Codes: Liza Lim’s Work Provides Visual Dazzle But No Vocal Highlights
Royal Opera House 2017-2018 Review – Lohengrin: Christine Goerke Shines Among Solid Cast As Half-Awoken Myths Stay in the (Wartime) Trenches of Reality
Deutsche Oper Berlin 2017-18 Review – Nabucco: Željko Lučić Stands Tall While Keith Warner’s Printing Press Production Needs Serious Editing
Opera Theatre of St. Louis 2018 Review – An American Soldier: A Moving Tribute To The Distressing Death of Private Danny Chen
Opera Theatre of St. Louis 2018 Review – Regina: Scheming Susan Graham Stars in Masterful Production of Blitzstein’s Drama
New York City Opera 2017-18 Review – Brokeback Mountain: Glenn Seven Allen & Daniel Okulitch Deliver Emotional Performances In Solid, If Not Always, Satisfying, Opera Experience
Settimane Musicale 2018 Festival Review – L’Inganno Felice: Director Alberto Triola Finds Way to Use Ancient Theater Beautifully For Youthful Rossini Work
New Amsterdam Opera 2017-18 Review – La Favorita: Steven LaBrie & Catherine Martin Give Star-Studded Performances In Donizetti’s Rarely Performed Gem
